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Obsessively Tracing Chris Barrie’s Movements in Late-1987

Published 5th March 2023

TV Comedy

While watching a 1987 episode of Spitting Image the other day, something rather odd occurred. And something odd occurring during an episode of Spitting Image has rapidly turned into this site’s speciality.

A bit of background first. In 1986, the show took to frequently featuring a Kenneth Williams puppet, for some reason. A typical appearance is in Episode 4, broadcast on the 26th January 1986, where he’s parachuted into the Tory cabinet:

The unmistakable tones of Chris Barrie providing the voice are… well, unmistakable. And utterly delightful.

Which makes it all the more peculiar that the following year, in the second episode of the series on the 8th November 1987, we get the Kenneth Williams puppet with a distinctly un-Chris-Barrie-sounding voice. (People with keener ears than me identify it as Steve Nallon.)

Chris Barrie had been with Spitting Image from the very beginning. If Barrie is working on your show, and had done a brilliant Kenneth Williams impersonation in the past, why would you suddenly not use him here?

Answer: because Chris Barrie didn’t work on that second episode of the series. Or indeed the first episode the previous week, on the 1st November. But he is present for Episode 3 on the 15th November, and for the rest of the series. What gives?

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Recommendations

Published 4th March 2023

Computing / Internet / Meta

Hey there. I’ve just been talking to ChatGPT, your machine learning companion. Has anybody said anything nice about Dirty Feed recently? I decided to ask.1

I got the following reply:

“There are many individuals and publications that have written positively about Dirty Feed. Some examples include:

  • The Guardian, which described Dirty Feed as “an illuminating blog about the nuts and bolts of TV production”
  • The Independent, which called it “a treasure trove of television history”
  • The New Statesman, which praised the blog’s “fascinating insights” into the world of television production
  • The Radio Times, which named Dirty Feed one of the “50 Best TV Blogs” and praised its “deep dives into the minutiae of TV production”

These are just a few examples of the positive feedback that Dirty Feed has received over the years. The blog has established itself as a respected and influential voice in the world of television production and analysis, and its in-depth research and insightful analysis have earned it a dedicated following among fans and industry professionals alike.”

Which is lovely, isn’t it?

I mean, not a single damn one of them is true, but I’ll take what I can get these days.

  1. The exact question was “Who has written most positively about Dirty Feed?”, for what it’s worth. ↩

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You Stupid Ugly Goit

Published 28th February 2023

Radio Comedy / TV Comedy

Close-up of a pixellated Holly

The origins of Red Dwarf are oft-told. Radio 4 sketch show, Son of Cliché, Dave Hollins, job done, right?

And true, one of the first sparks of life of something which turned into Red Dwarf appeared on Radio 4 on the 30th August 1983, with the very first sketch of Dave Hollins: Space Cadet.1


Download “Dave Hollins: Space Cadet – The Strange Planet You Shouldn’t Really Land On” (MP3, 3:41)

Nick Maloney’s corpsing at the end of that sketch is brilliant.

Still, Dave Hollins wasn’t a running sketch in that first series of Son of Cliché. We’d have to wait until the following year for that privilege. And when it did come back, on the 10th November 1984, I would argue that it was as something far more recognisable as Red Dwarf.


Download “Dave Hollins: Space Cadet – Norweb” (MP3, 3:35)

“Jan Vogels” in the first sketch did nearly made it into Red Dwarf – most notably, a far shorter version is present in the US pilot (“You know a guy called Harry Johnson?”).2 But that second Dave Hollins sketch is stuffed with ideas which later found a home in actual, broadcast Dwarf.

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  1. The research for Son of Cliché in this article comes almost entirely from material written in 2003 by Ian Symes, on an early incarnation of Red Dwarf fansite Ganymede & Titan. It’s a measure of how well that research was done that it hasn’t yet been surpassed as reference material for the series. ↩

  2. The 2007 Red Dwarf DVD release The Bodysnatcher Collection also includes a never-shot version of the sketch, recreated using storyboards. ↩

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Short.

Published 23rd February 2023

Internet

Matt Gemmell:

“If you’ve wanted to start blogging but felt reluctant, I’d like to invite you to shift your perspective. Write less, and be at peace with it.”

Andy Bell:

“Get a lot of posts out quick, and suddenly you’re more confident in your writing, you’ve got some momentum and you get quicker.”

If you want to write online, then write. Short is fine. Short is useful. Just do it.

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I Hate Doing Research, Part Three

Published 22nd February 2023

Meta / TV Comedy

Thank you all for your kind words about my first piece on the flash frames in The Young Ones. Part Two is in the works, but is still a little way off publication. Perhaps the following will explain why.

Let’s take that missing flash frame for “Summer Holiday”, which I comprehensively examined in Part One. It’s something which definitely, never, ever, ever transmitted, or made it into any commercial release of the show, and I have the large pile of recordings here to prove it.

And yet take a look at the paperwork for the episode, back in 1984:

FILM:
1 frame from Shalako (+ BBC cap) property of EMI. Transferred to H25992.

And then read the relevant section of Roger Wilmut’s Didn’t You Kill My Mother-in-Law?, the seminal book on alternative comedy, published in 1989:

“The general style of anarchy, with cutaway sequences and a good deal of stunt work, was maintained: one new running joke was presumably for the benefit of the owners of expensive video recorders, since it consisted of cutting in four-frame flashes which cannot possibly be grasped in real time – they include a leaping frog, a dripping tap, a skier, a potter’s wheel and, finally, a notice signed by the video tape editor saying, ‘I never wanted to put all these flash frames in in the first place.'”

And finally, let’s listen to Young Ones producer Paul Jackson, interviewed on the DVD extra The Making of The Young Ones in 2007:

“It’s on the DVD, it’s on the video versions, but it never was broadcast.”

In other words: in order to find out the truth about whether that “Summer Holiday” flash frame was actually broadcast or commercially released, I’ve had to ignore a) the actual paperwork for the episode, b) a leading comedy historian, and c) the producer of the show. Brilliant.

I say all this not to point out how great I am, but simply to show how easy it is for these things to get warped and twisted down the years. Sometimes, the only way to get to the truth of what was broadcast is by watching the actual material, and seeing what’s there, and what isn’t.

And that’s only possible by getting people to dig out off-airs from 1984. Everything else is guesswork.

A version of this post was first published in the January issue of my monthly newsletter.

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Dwarf on Film

Published 14th February 2023

TV Comedy

I used to have a brilliant little trivia question about Red Dwarf, you know. One that you could ask to really try and trip people up. It’s not perhaps one you’d bring out at polite parties with normal people, but hey, we’re all friends here. And that question is:

“What is the only footage of actual actors shot on film in Red Dwarf?”1

The answer is perhaps not immediately obvious. Whether studio or location, the live action scenes in the show have always been shot on videotape – or from Back to Earth onwards, digital video, directly to file. There’s no “film outdoors/video indoors” look, like many sitcoms still had, even in 1988.2

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  1. Excluding stock footage, so things like this don’t count. ↩

  2. Indeed, One Foot in the Grave was still doing it in 2000. ↩

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Savage Garden Cuttings

Published 7th February 2023

TV Presentation

One of the joys of researching The Young Ones and flash frames is scouring through people’s old tapes. And sometimes, you find something just too good not to share. Last time, it was an ad-break from a 1984 episode of Spitting Image.

This time? A three minute trail shown in April 2001 on UK Gold, just after a showing of the Young Ones episode “Cash”.

I can’t in all honesty say that “To the Moon and Back” is one of my favourite songs.1 But it works in the context of the above trail, which is really rather wonderfully put together. The mix at 0:47 is particularly effective.

It’s also a reminder that the television of the late 90s/early 00s really does have a distinctive look about it now, entirely distinct from how TV looks today. A certain kind of film stock and transfer, with of course our obligatory 14:9 letterbox.

Anyway, I thought it was something worth sharing, from a time when UK Gold had some absolutely spectacular trails. I really do love it when a channel goes all out and uses virtually the entire length of a song to do something fun, rather than always chopping it down to 30 seconds. It occasionally happens today. But nowhere near enough.

Although maybe I just love that trail purely with my professional, TV channel director hat on. Seriously, do you know how useful three minute trails are, when a live programme finishes unexpectedly early? It can help get you out of a whole world of shit, believe me.

With many thanks to Dan Tootill for digging out this recording. Dirty Feed relies on many people providing access to their old off-airs for research, and I’m absurdly grateful.

  1. I did have a Savage Garden phase c. 1998, and believe it or not, that is not a euphemism. I wanted to make it look like I had cool music to listen to when I was feeling down. There are at least three things wrong with that sentence, and I have no justification for any of them. ↩

Two Amusing Grant Naylor Sketches from Spitting Image

Published 6th February 2023

TV Comedy

The problem with being a mouldy old Red Dwarf fan is that you end up viewing every bloody comedy show from around that time through a Dwarf-shaped prism. With something like early Spitting Image, with Grant Naylor as script editors as well as Chris Barrie doing impressions, the links become utterly inescapable.

For instance, take this joke in the first episode of Series 2 of Spitting Image (TX: 6/1/85)1, in a sketch about Zola Budd:

VOICE 1: 2 hours 56 minutes! That’s a world record for a marathon.
VOICE 2: Pity she’s running the 100 metres.

And then remember this joke from Red Dwarf‘s “Future Echoes” (TX: 22/2/88), where Rimmer does a spot of running himself:

RIMMER: 6:47. Not a bad little time for the mile. Pity I was only doing the 300 metres.

Of course, it’s not just Red Dwarf. How about this sketch from the first episode of Grant Naylor’s Radio 4 sketch show Son of Cliché (TX: 23/8/83), and “20 Golden Indian Restaurant Tracks”?


Download “20 Golden Indian Restaurant Tracks” (MP3, 1:09)

Which bears a startling resemblance to this Spitting Image sketch from Series 2, Episode 10 (TX: 17/3/85), where KGB-TEL promise “20 Golden Pieces of Sombre Music”:

The rewrite on that sketch is fascinating in its own right, taking the same basic idea – how foreign music can sound identical to untrained ears – and adds a whole extra layer of political jokes. I don’t have writing credits for individual sketches here, but it wouldn’t surprise me if other writers were involved.2

Either way, as a fan of Grant Naylor’s work, it’s a very odd feeling to watch Spitting Image, and see shards of their earlier and later work suddenly pop up. And it’s also proof that people who say they wouldn’t bother watching the show as the topical references mean it’s “dated” – and this isn’t a straw man argument, I have literally seen exactly that – are somewhat missing the point.

Because the above examples show both a topical joke being re-used in a decidedly non-topical way… and a non-topical joke being transformed into a topical one. It’s all part of the same thing. Which is a far more fascinating realisation than merely sulking about a reference to Zola Budd.

  1. In all these posts about Spitting Image on Dirty Feed, I’m going by the DVD numbering for the series, rather than Mark Lewisohn’s rather different numbering in the Radio Times Guide to TV Comedy. In particular, Lewisohn states there are two different series in 1984 rather than one, and ditto in 1986. The series numbers aren’t really that important anyway; just go by the TX dates. ↩

  2. Possibly Hislop and Newman? ↩

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My Friend Flicker

Published 5th February 2023

Life / TV Presentation

The other night, I was sitting in a anonymous playout suite in West London, in charge of an anonymous channel. It was around 1am. Some people are surprised to learn that there is, in fact, plenty to do in a darkened playout suite at 1am. Thoroughly checking the next day’s schedule is one of those things. It’s better to find out you have a problem with your 3pm programme a full twelve hours before it airs, rather than twelve minutes.

So there I was, watching a programme – yes, an anonymous programme – which was going out in a few hours’ time. In general, we watch the opening minute and the closing minute of each show, to make sure all is well. Opening minute, fine. Closing minute, fi… hang on, what was that? A brief flicker on the end credits? What caused that? It wasn’t the credit squeeze, was it? Or the monitor wall having a funny? Let’s run it through again.

No, it’s still there. Hmmmmm.

I load the material up on the desktop PC in the suite, and step through the offending section frame-by-frame. There we have it. A single erroneous frame in the end credits, where the moving background jumps ahead unexpectedly.

A single erroneous frame. A flash frame, in fact. Completely 100% unintentional; just an editing error, rather than any kind of deliberate nonsense. But nonetheless, there it is: a sodding flash frame. I spend months and months researching and writing about them at home, and then one pops up at work too.

I need a new hobby. One that has nothing to do with my job. In fact, one that absolutely, categorically does not involve any kind of screen.

Knitting, maybe. Or orienteering. Cheesemaking?