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Poor Old Jackie Rae

TV Gameshows

The Golden Shot logo

Researching a programme like The Golden Shot (1967-75) is a nightmare. As I pointed out last time, for a show which ran for hundreds of editions, vanishingly few of them actually survive. Even fewer are generally available to view. You’re left scrabbling for what you can find in old newspapers and magazines… and the odd autobiography.

Such as Bob Monkhouse’s incredible Crying With Laughter (Century, 1993), often regarded as the gold standard in celebrity memoirs. And one of the most arresting sequences in the whole book is the section where he details his thrilling takeover of The Golden Shot from first host, Jackie Rae.

“Having concluded that I was lucky not to be presenting this calamity and so suffering condemnation by press and public alike, I was puzzled when Peter1 phoned to say I was wanted as the guest star for the tenth week. The fee was insignificant and the inconvenience considerable as it meant travelling from Liverpool to Elstree and back again for my midnight jobs at Jack Murphy’s Cabaret Club in Duke Street. And who was watching ‘The Golden Shot’ now anyway? Its Saturday ratings had plunged. ‘I know, love, but it’s a chance for you to show ’em a thing or two on that set.’

I got the message.

Having made sure the set was standing, I drove out to the studio and looked it over. The guest had to fire the bow using a joystick in a glass booth. The booth looked like the one featured in a frequently seen soap commercial of the day where a man went into a phone kiosk which turned into a bathroom shower. I sought out my pals in special effects and had the booth rigged to do the same. Next, I consulted the props men and they agreed to build what I’d drawn.”

According to Bob, his guest performance went spectacularly well.

“Half an hour of the usual stuff, tedious as ever, with no audience reaction other than cued applause where required. Then I was announced and my first appearance brought a crack of laughter that registered on the Richter scale. I was dressed as a big target, the golden bullseye over my middle. The absurdity of anyone showing up at an archery contest in such an idiotic costume delighted the previously bored crowd. A fusillade of gags followed as I removed my outer costume to reveal a Tyrolean outfit in the style of William Tell, put an apple on my head and did some comic business with a curved crossbow that could shoot round corners. Then I announced that I had my own private armourer, ‘Heinz the dolt!’ A four-foot tin of Heinz Potted Shrimp was wheeled on and tiny Johnny Vyvyan climbed out, dressed as a stormtrooper with a spiked Prussian helmet and carrying a gigantic door bolt. We plunged into a fast and crazy routine in which I fired at various objects he was holding up, each of them rigged to explode when hit and shower the stone-faced little man with their contents. The laughter was just as explosive, roars of hysterical mirth and applause bursting from two hundred and fifty people who had been spending an evening starved of any semblance of fun.

When I started stuffing Johnny feet first into a large cannon, Jackie Rae must have been wondering what had hit him. Unrehearsed, he was rooted to the spot by his need to read his lines off idiot boards.

I ran into the glass booth to fire the cannon and rattled off a few funny lines while Johnny was secretly replaced by a dummy. On a signal that Johnny was out and clear, I pressed the firing button. There was a hell of a bang with confetti and red smoke, the dummy soared fifteen feet in the air and its spiked helmet stuck firmly in the bullseye.

The crowd went wild and Jack Parnell, watching the show on the screen of a TV monitor in the bandroom, waited for the din to diminish before giving his orchestra the downbeat. Precious seconds were ticking by.

Then the music from the then famous soap advert filled the air and, just as in the familiar commercial, the lighting changed to make a silhouette of me as my firing booth became a shower stall. A cascade of water hit me from above and I washed myself, working up a lather with the detergent already in my clothing.2 If an audience ever howled with laughter any longer and louder, it could only have been in comedy heaven.”

The inevitable then happened:

“On the Thursday of that week Lew [Grade] sent for Peter. ATV’s light entertainment booker Alec Fine joined the meeting and Lew told them to do a deal for me to take over as host on ‘The Golden Shot’ as soon as possible.”

All very nice. The question is: how much of it is true?

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  1. Peter Prichard, Bob’s agent. 

  2. With many thanks to Simon McLean, the advert Bob is referencing here must be this one for Lifebuoy soap, or a similar one in the same series. 

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“What Can They Do, Fire Me?”

TV Gameshows

If you’re the kind of person who reads this site, it’s very likely that you have childhood memories of Bob Monkhouse. Mine? Definitely his Central game shows of the 1990s, such as The $64,000 Question and the revival of Celebrity Squares.1 Oh, and my Mum ringing up the BBC after an appearance on Have I Got News For You, to complain he had been racist against the French.

As I got older, I followed the general trend of many comedy fans, in my reassessment of Bob from “that nice man on the telly”, to “one of the funniest men who ever lived”. And once you heard about his vast film and television archive and realise he was one of us into the bargain – except also doing that better and more comprehensively than virtually anybody else as well – that’s when the awe really began to set in. I choose to believe he might even have enjoyed reading Dirty Feed, and you can’t prove otherwise, leave me alone.

It was apparent years before if you were paying attention, but I can trace my realisation of Bob as an archive fiend to the documentary The Secret Life of Bob Monkhouse, first broadcast on BBC Four on 3rd January 2011. And one of the most fascinating parts of that documentary was the section on Bob’s sacking from The Golden Shot in 1972, including clips of his final show2, from a copy taken from Bob’s archive. I could watch it endlessly.

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  1. Years which were unfairly and pointlessly maligned in the 2015 Gold documentary Bob Monkhouse: Million Joke Man

  2. Before his return in 1974, of course. 

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Snookered

TV Comedy

As I’ve spoken about many times before on this site, I’m constantly surprised at how often the generally accepted transmission dates for various TV shows turn out to be a load of rubbish. Sometimes, the confusion is understandable – a last-minute schedule change not reflected in the Radio Times, say. Other times, I struggle to see the thought process.

This time? Well, we have ourselves a bit of a strange one.

As part of the research for my last piece on Terry and June, I had cause to look at the transmission dates for the series broadcast in late 1983. Here’s what epguides.com thinks:



Season 7
40.	7-1 	31 Oct 83	Photo Finish
41.	7-2 	07 Nov 83	One Little Pig
42.	7-3 	14 Nov 83	The Raft Race
43.	7-4 	21 Nov 83	Too Many Cooks
44.	7-5 	28 Nov 83	Pardon My Dust
45.	7-6 	05 Dec 83	The Artistic Touch

Six episodes, broadcast weekly from the 31st October 1983. Simple enough. And at the time of writing, this is also exactly what Wikipedia, IMDB, and the British Comedy Guide think happened too.

But on bbc.co.uk, we have a different story. The first four episodes of the series are indeed broadcast weekly… but then the show skips a week. The BBC has “Pardon My Dust” airing on the 5th December, and “The Artistic Touch” airing on the 12th December.

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Absolutely Out of Order

TV Comedy

I don’t want much out of life, you know. I really don’t. Just the basics. Like, for example, knowing which episode of Absolutely Fabulous was broadcast on BBC2 on the 17th December 1992. The final programme of the very first run of the show. Is that really too much to ask?

Apparently, the answer is yes. Let’s track my attempts.

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Initiate Computer Search

TV Comedy

For reasons which will become apparent later in the year, I’m currently buried in research on Three of a Kind. It’s a show which I entirely dismissed a few years back on the strength – or otherwise – of its first episode, but now feel a certain amount of affection for. In fact, rarely has a comedy won me over so much from such a bad first impression.1

Fittingly, there were three series of Three of a Kind; the first started transmission in July 1981, the second in November 1982, and the third in September 1983. Also made as part of that final series was a Bank Holiday Special, which aired before the rest of the series, on the 2nd May 1983. It’s the usual mix of stuff that works and stuff which really doesn’t, with the highlight being a eight-minute “Cabaret” sequence near the end.

I’m particularly fond of Gladys Nightly, which is essentially Lenny Henry doing a proper drag act, and features a bonus cameo from Peter Brewis:

That split screen shot near the end of that sequence with the two Lennys is worth any amount of teletext graphics thrown at the screen.

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  1. I blame Gagfax, but that’s a whole other article. 

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That Nice Mrs Merton

TV Comedy

For many viewers, The Mrs Merton Show sprang fully-formed onto BBC2 on the 10th February 1995. But things are never quite as simple as that. And with Caroline Aherne and Mrs Dorothy Merton, the story is even more complicated than most.

Regional television can get short shrift in the history of comedy; regional radio even more so. Very little in-depth has been written about the origins of Mrs Merton in Frank Sidebottom’s Piccadilly Radio shows, or her appearances on 90s Granada talk show Upfront. Even tracking down some of this material is hard, and perhaps impossible if you’re a completist.

For instance, it’s very much worth listening to the following extremely early Mrs Merton, on Key 103:

But when was it actually broadcast? There’s no TX date attached to it at all. It’s probably 1988 or 1989, but that’s all I can really figure out.

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The Dave Nice Video Show, Part Six: “Boys, I Believe You Like Swearwords”

TV Comedy

Part OnePart TwoPart ThreePart FourPart FivePart Six • Part Seven

Last time in our look at stock footage in End of an Era, we hung around in the nice clean-cut world of Top of the Pops. Today, Smashie and Nicey throw themselves headlong into… “PUNK!”

This sequence uses only two clips of existing footage… but they just happen to be two of the most interesting clips in the entire show. One of them is extremely well-known. The other, rather less so.

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John’ll Fix It

Other TV

You may wonder why I have spent some time recently watching videos of Jimmy Savile on YouTube. This is a very good question, and one that I am unable to fully answer. I guess this is what happens when I get fed up of new Star Trek and get desperate for something to watch.

Nonetheless, here is yer evil bastard himself, on BBC2’s Open to Question in the 80s, being interrogated by a bunch of high school kids. Warning: video contains Jimmy Savile.

If you don’t want to watch the above – which is perfectly understandable – the below hilarious video condenses it down to three minutes. And while it’s clearly made partially for comedy purposes, it does accurately represent much of the content and feeling of the full interview:

Anyway, our question for today: when exactly was this interview broadcast?

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Between Fact… and Breakfast

TV Comedy

Recently, I have come across something rather disquieting. Every time I check out the accepted TX dates of a programme I’m researching, something turns out to be awry. Last time it was The Brittas Empire; this time, A Bit of Fry & Laurie comes under the microscope, if you’ll pardon the pun.1

The story behind Series 4 of A Bit of Fry & Laurie is oft-told; transferring back across to BBC1, with celebrity guests in all but one episode, it’s generally regarded as the weakest of the four series, with its reputation not helped by Fry’s disappearance and flight to Belgium near the beginning of the run. I personally love it, but now isn’t the time for my brilliantly iconoclastic and dangerous comedy opinions. Let’s stick to the facts.

And the facts, at first glance, seem to be clear. Plenty of websites seem to think that the series was transmitted in the most straightforward manner possible: seven episodes, weekly on Sunday nights, from the 12th February through to the 26th March 1995. For example, Wikipedia, the British Comedy Guide, and IMDB all state that this is the case.

Unfortunately, a bit more poking reveals some discrepancies. epguides.com still thinks the series started on the 12th February, but also that it skipped a week on the 5th March; meaning the final episode transmitted on the 2nd April. The BBC itself, meanwhile, also indicates the series skips a week; however, their missed week is the 12th March. The Beeb also unhelpfully list the series as six episodes long in the episode descriptions, rather than the correct seven.

Our mission is clear. Can we disentangle this load of old nonsense?

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  1. What pun? 

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A Revised Schedule of Programmes

TV Comedy

One thing I’ve become vaguely obsessed with over the past year is how often the things that “everyone” knows about a TV show turn out to be incorrect. Of course, by “everyone”, I don’t actually mean everyone. The person on the street doesn’t mutter Brittas Empire TX dates as they go about their shopping. At least not in my local Tesco.

Somewhere which should know its Brittas Empire TX dates is epguides.com, mind you. Here is their page for the show, although I’ve screengrabbed the relevant section below, for reasons which will soon become apparent.

Series 1 Brittas Empire TX dates - don't worry, this is just for illustrative purposes, the actual information you need will be present in the body text

According to epguides.com, Series 1 of The Brittas Empire aired weekly from the 3rd January 1991, ending on the 14th February, skipping a week on the 31st. Wikipedia has the same details, as does The Brittas Empire Wiki. For complete transparency, seeing as I was writing for the site when it was published, Ganymede & Titan‘s guide has the same broad dates, but skips the 10th rather than the 31st; IMDB follows these latter dates too.

Every single guide mentioned above is wrong.

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