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Canon.

TV Comedy

Here’s one thing which mildly irritates me. When I get round to watching an old film or comedy show which I haven’t seen before, and I decide to talk about it on whatever social media platform I’m not sulking with at the time, I sometimes get the magic words:

“What, you’ve never watched that? How?!”

The easy answer is: I often go deep, not wide. I spend so much of my time researching and writing ludicrous, never-before-published nonsense about The Young Ones and similar. I ain’t got time to watch everything a sensible person does.

The grumpy answer is: OK, have you ever seen [a cool show that not nearly enough people have watched]? No? WELL I HAVE, NOW LEAVE ME ALONE.

But the hard answer is: I seriously want to push back on the idea that there’s any kind of canon that anybody is “supposed” to have watched. There is no such thing. I can’t think of anything more tedious than watching film or television by rote. Surely the best way to destroy Fawlty Towers is to blink quizzically at people who haven’t yet had the pleasure.

The joy is in our own personal route through a world of fun things, not a bizarre expectation that everyone who lived through a certain decade have all watched the same thing. Some of us were busy.

*   *   *

Anyway, I’m currently watching Seinfeld for the first time, and I finally know what comedy is.

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Commonness.

Animation / Life / TV Presentation

Michael Barrier, Hollywood Cartoons: American Animation in Its Golden Age (2003):

“Walt Disney’s Snow White has virtues – of kindness and compassion and maternal love – that the Queen never had; she will win a victory of some sort over age, with a beauty of spirit if not of the flesh. Disney thus introduced a note of hope and love into a very stark, elemental story, without violating that story’s basic structure. To do that, he had to deal directly with emotions that most of us are reluctant to express, lest we be embarrassed by their very commonness.”

Those emotions are at their height, of course, in the scene where the Dwarfs mourn Snow White’s apparent death near the very end of the film.

Barrier goes on to quote I.A. Richards, Practical Criticism (1929):

“…these thoughts and feelings, in part because of their significance and their nearness to us, are peculiarly difficult to express without faults of tone. If we are forced to express them we can hardly escape pitching them in a key which ‘overdoes’ them, or we take refuge in an elliptic mode of utterance hinting them rather than rendering them to avoid offence either to others or to ourselves.”

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Today marks ten years since I started my job in BBC presentation. Ten years of directing BBC One and BBC Two, among the BBC’s other domestic channels.

And I think back to my Dad. He died thirty years ago, in 1994. I was just 13. We were just beginning to have the vague stirrings of an adult-adult relationship… and then he was gone. We never truly got to know each other.

But he loved television. I remember him watching, long into the evening, well into the night. And I really, really hope he would have been proud of me.

The specifics might be different, but such feelings are common. They are embarrassingly common, exactly as Barrier describes. You can’t help but wish you had a more original thought. But some of our most important thoughts are some of the least original things in the world.

Such as: thirty years on, I still miss him.

An early version of this post was first published in the January issue of my monthly newsletter.

“Are You OK With This?”

Internet

Jason Kottke, 21st December 2023:

Substack explains why they are paying Nazis to publish on their platform. Friends who publish on Substack, are you ok with this? If not, maybe try Buttondown or WordPress or Ghost or literally anything fucking else.”

Greg Storey, 27th February 2024:

Tumblr and WordPress user data have been sold to train AI, and Automattic intends to do it again moving forward. Content posted on both platforms between 2014 and 2023 was shared without user’s permission. Even worse, the data exchanged included private and deleted posts, private answers, and “content from premium partner blogs” for clients like Apple. […]

If you’re using Tumblr or WordPress it’s time to seriously consider moving on to software made by companies with more integrity. Any integrity frankly is better than what you have now. I can’t say enough about Ghost, Kirby, and Craft.”

*   *   *

It doesn’t matter what I actually think about the above two issues. I’ve come to believe that Substack’s Nazi problem was at least a little overblown, and I’d need to research the WordPress issue more thoroughly before coming to any kind of conclusion. But it’s all kinda irrelevant.

Instead, let’s take a hypothetical example. Some poor soul is running a newsletter on Substack. They read about all the Nazi stuff in December, and try to do the right thing: so they move to a self-hosted WordPress installation, as Jason recommends above. All sorted, right?

Only to now be told this month by someone else that, sorry, you backed the wrong horse. Don’t go with WordPress, they’re the bad guys.

That’s two moves, in the space of two months. I guess our hypothetical person could move again… but will the next service they choose turn out to be the bad guys too? How long will it be before that happens? A month, two months, maybe a whole year?

How long do they get to spend writing, before the tedious admin kicks in again?

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Battle Plans

TV Comedy

Last month, I wrote about the 1993 Red Dwarf script book Primordial Soup, and how it gave us a little insight into the production of “Psirens”.

But there’s plenty else of interest in that book. I always rather liked the introduction Grant Naylor wrote for it; an introduction which is sadly missing from the version uploaded to the Internet Archive. My copy is currently lost in a house move, so many thanks to Dan Cooper for sending me a few snaps. It’s just as much fun to read as it was all those years ago.

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Smashie’s Saturday Smiles

TV Comedy

INSPECTOR FOWLER: We have all seen the musical Oliver, and are familiar with the images of jolly, apple-cheeked urchins in big hats. Well, dispel this cozy impression. The Artful Dodger was a thief, and I don’t think he’d have considered himself quite so “at home” in a juvenile detention centre, which is where I’d have put him. Thieving is thieving. And no amount of “oom-pah-pah” or “boom-titty-titty” will change that. An Englishman’s pockets are his castle.

CONSTABLE KRAY: More like his pocket billiard room.

INSPECTOR FOWLER: Detective Constable Kray, there is a place for fatuous, flippant, would-be humorous inanities, and that place is on Noel’s House Party.

The Thin Blue Line, “The Queen’s Birthday Present”
TX: 13th November 1995

Here’s a question. How many overt parodies of Noel’s House Party can you name? Ones that go beyond the very amusing Thin Blue Line joke above1, and actually start tearing the show apart properly?

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  1. It is notable how much the studio audience in The Thin Blue Line enjoys the gag. 

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Steve Wright (1954–2024)

Radio

Back in 2011, The Mirror published a hit piece on Steve Wright. I’m not going to link to it, and I’m not going to extensively quote from it. Indeed, you may wonder why I’d even bring it up on the day his death has been announced.

I’ll just give you the short version: they called him a fat loner.

It was obviously deeply unpleasant. But I wondered: how was he going to deal with is on his next Radio 2 show? Make a big thing of it, and you look weird and over-sensitive, despite how nasty it was. Maybe it’s best to ignore it entirely… but that’s a little weird too. Elephants in the room are bad things, whether you’re responsible for the elephant or not.

So I tuned in, wondering what he was going to do. The opening music starts up, the big cheer. Steve introduces himself, as usual. Then a pause.

And then, muttered under his breath: “I’m so lonely…”

Then on with the show.

Perfect.

Smashie and Nicey – the End of an Era: Music Guide

TV Comedy

Nicey listening to music on headphones

What exactly is Smashie and Nicey – the End of an Era?

One of the endless joys of the show is that it’s many things. A parody of a certain kind of DJ, of course. Also a pastiche of a certain kind of documentary. But it’s also a trawl through decades of British light entertainment: a macrocosm of a particular strand of British culture.

With that in mind, it’s no surprise that the show is absolutely stuffed to the gills with music, of all different kinds. Some of them obvious, others obscure. Wouldn’t it be nice if somebody sat and worked out exactly where everything came from?

What, you want me to do it? Fine.

All times given are for the broadcast version of the show, although I’ve also noted any significant music changes made for the extended VHS edit. For any music which is taken from archive footage, I’ve provided very minimal details here; a companion article detailing all the stock footage used in the show is in the works.

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A Tedious Update on Dirty Feed’s Social Media Presence Which You Can Safely Ignore

Meta

a) Last year, I was trying to keep four separate social media accounts active: Twitter/X, Mastodon, Threads, and Bluesky. I can’t be bothered with any of that, so I’ve binned off the first three.

b) Just follow me on Bluesky @dirtyfeed.org. I’m not completely in love with Bluesky, but I like it more than anything else right now.

c) If you’re not on Bluesky, you can subscribe to Dirty Feed’s RSS feed here, or subscribe to my newsletter here, which will get you all the good stuff.

d) My Twitter/X account @mumoss is technically still active, but I don’t post on it publicly any more, and only use it for DMs. Consider @dirtyfeed to no longer be in use for anything. When Bluesky gets DMs, I imagine I’ll get rid of Twitter/X for good.

e) Oh, you want something actually interesting? Like, I don’t know, something fun about Smashie And Nicey: The End Of An Era?

This Sunday.

“Plans Change”

Internet

Birmingham Live, 30th January 2024:

Jonnie Irwin says ‘plans change’ and issues fresh update amid cancer battle

Jonnie Irwin has said “plans change” as he issues a fresh update from his home amid his ongoing terminal cancer fight. BBC Escape to the Country and Channel 4 A Place in the Sun star Jonnie posted an update from his home amid an ongoing renovation.

Jonnie typed: “I was tempted to spray the remaining windows, but after interviewing someone that actually knows what they’re talking about I changed my plans. This more than any other Reno has been a fluid process! Check out the film we made on Morning Live on @bbciplayer, it’s worth a watch.

Birmingham Live, 2nd February 2024:

A Place in the Sun presenter Jonnie Irwin dies aged 50

A Place in the Sun presenter Jonnie Irwin has died at the age of 50. The TV presenter had been battling cancer for more than three years.

The devastating news of his death was announced on Friday (February 2). The dad-of-three ‘fought bravely’ with ‘unwavering strength and courage’, loved ones said.

A headline which deliberately tricks the audience into thinking a change in some home renovation plans is actually an update about a cancer diagnosis? I have to say, I find that to be one of the most unpleasant pieces of journalism I have read in recent years. There’s yer standard clickbait, and then there’s that.

It’s even more unpleasant when the person you’re writing about dies three days later.

And no, I ain’t linking to any of that shit.

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