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A Fascinating Post About I’m Alan Partridge Title Sequences

TV Comedy

Yesterday Dave decided to have an I’m Alan Partridge Series 2 marathon. Only I can spin two blog posts out of this fact. It’s the boring one today, and then the really boring one tomorrow.

So, here’s the title sequence – taken from the Series 2 DVD – from the episode I Know What Alan Did Last Summer:

…and here’s the version taken from the Dave broadcast on the 22nd July at 10:40pm:

The same clips, but without all the graphics added. Not even the title of the show! OK, so it’s not up to the standards of this, but still. (It does at least afford us a proper look at the set used for Alan’s pieces to camera which close each sequence.)

Checking the rest of the episode, barring deliberate edits for language (see tomorrow for more on that), the rest of the episode was identical to the DVD version. I’d be fascinated to know how the wrong version of the episode was even delivered to UKTV. Not that it should ever have got to air anyway…

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Regarding Brand New’s “Why I hate Helvetica”

Internet

I love Brand New. Describing its purpose as to “chronicle and provide opinions on corporate and brand identity work”, a huge part of the site simply presents logos before a redesign and after, and invites comparisons. You could get lost in those archives for hours.

However, I have to – admittedly belatedly – take issue with the following post – New University of the Arts London Logo, or Why I Hate Helvetica. Click the link, read the article, especially the rant at the bottom – I’ll wait.

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Dinner is Served

TV Comedy

Filthy Rich & Catflap, end of Episode 3. Richie’s party has been a disaster. And, because it’s Filthy Rich & Catflap, the oven explodes, taking out a large section of the wall…

…and three figures, never seen before, peer through the hole.

Screengrab from end of Episode 3 of Filthy Rich and Catflap

(Video here.)

So, my question is: who are they? They peer into frame very deliberately, so they’re quite clearly supposed to be there.

  • Something from an earlier scene, which was then cut?
  • Next door neighbours?
  • Some kind of fourth-wall breaking malarky – the Visual Effects team, perhaps?

Answers on a postcard*, please.

* In the comments or on Twitter.

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What I’m really thinking: the radio listener

Radio

Via the excellent @BobDinan, here’s a depressing article – What I’m really thinking: the radio presenter. It takes some feat to contradict yourself so splendidly using only four paragraphs, but somehow this piece manages it.

“Listeners have told me they’re pregnant before they’ve told their boyfriends. They’ve just had nobody else to go to. This job has made me realise there are a lot of lonely people in the world. I know they think I’m their friend.”

Radio as friend. Got you. Makes sense. I mean, I’d quibble with how it’s phrased, and it seems to pity an audience of which the vast majority doesn’t need pitying – but whatever.

“This is the only job I’ve done and I’m amazed we still have an audience. With a smartphone you can listen to whatever song you want, whenever you want. You don’t have to tune in on the off chance I’ll play something you like. Within a generation I think there will be no such thing as a radio presenter. Which is why, when people ask me how to get into radio, I think – don’t.”

…hang on. You started the piece by pointing out how radio can connect with an audience – using the human voice, in a way that an iPod can’t. Have you completely forgotten what you’ve just written?

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Stanley Kubrick Photographer: Eyes Wide Shut?

Film / Life

So, I’ve just spent the last week in Brussels, and I’m happy to report I spent half the time being extremely childish, and the other half being vaguely cultured. On the childish side you have things like this, and on the culture front I visited the fantastic exhibition Stanley Kubrick Photographer at the Royal Museum of Fine Arts, on display until the 1st July.

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Dirty Feed Podcast #2: Bodysnatcher

Podcast / TV Comedy

Screengrab from Bodysnatcher

And so, with the surprising success of the opening episode, welcome to the second Dirty Feed podcast. This time, I take a look at Bodysnatcher – an unmade episode from the very first series of Red Dwarf

[mejsaudio src=”https://www.dirtyfeed.org/downloads/podcast/dirtyfeed-2.mp3″]

Download Podcast #2: Bodysnatcher (23MB MP3, 11:45)
(Subscribe using RSS / iTunes)

As ever, I’d love to have your feedback below. Hopefully they’re interesting in their own right, but these podcasts are also warm-ups for some longer, half-hour shows later in the year – so any suggestions are pathetically gratefully received.

DISCLAIMER: I do know someone who worked on the DVD release mentioned here. Seeing as I spent an entire year slagging off Back To Earth though, I think you can be confident that my opinions about Red Dwarf are honest.

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# More In Store at PAMS…

Jingles

Last year, I started a series of posts about jingle samplers, from the fantastic collection of Ken R. After a short break, I meant to get back to it – but in the meantime an excellent site has sprung up from Ted Tatman, archiving all the samplers I have, and rather more besides. Rather than duplicate the effort, especially as that site has a bit more context, I thought I’d finish my series by just giving the site a great big link:

JingleSamplers.com

As there really is much great stuff over there, I thought the following would be a a fitting end to this series of posts:

[mejsaudio src=”https://dirtyfeed.org/wordpress/wp-content/uploads/2012/04/las-moreinstoreatpams.mp3″]

And that great song leaves me with a question – just what was it about 70s pop culture which made them constantly mention the year? I keep seeing it with material from that decade. Even the Carry On films were doing it with this poster for Carry On Behind – “…with the ’76 touch”. Why?

The Great Escape

Computing / Life

Last Wednesday, I left my phone on the Piccadilly Line. This Monday, my Macbook’s hard drive conked out. Apart from stuff floating around in the cloud, I lost every single bit of my data. What follows are a few simple things that I’ve learnt over the last few days.

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Dirty Feed Podcast #1: TV Offal

Podcast / TV Comedy

TV Offal title sequence

Because there clearly aren’t enough of them in the world, here’s the first in a new venture on Dirty Feed – a podcast. This episode, I use Victor Lewis-Smith’s 90s series TV Offal as an excuse to play a one minute long jingle from a radio station in Denver:

[mejsaudio src=”https://www.dirtyfeed.org/downloads/podcast/dirtyfeed-1.mp3″]

Download Podcast #1: TV Offal (22MB MP3, 12:00)
(Subscribe using RSS / iTunes)

These will be published WHENEVER I CAN BE BOTHERED, and are deliberately starting off pretty short. Feedback more than welcome – I’ve been involved in G&T’s Dwarfcasts for over five years now, but this is the first time I’ve done one myself.

Give it a listen! Or: don’t.

With thanks to David Barras, Bigdave, Robin Blamires, jlehmann, jonno, Sean Martin, and mjb1124 on JingleMad for help and audio.

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Bob’s Question

Radio

Over a year and a half after I read this article on radio, I keep coming back to it:

“Q: Why should I listen to your radio station?

After all, I have an iPod with more than 10,000 tunes that collectively form the soundtrack of my life. I have more music on my computer. I can listen to endless computer-generated combinations – better mix, better variety – that can surprise me and amuse me between now and whenever I lose my interest, my sanity, my life. My iPod can do all that; my computer can do it too.

So why should I listen to your radio station?

After all, I can listen to online stations that programme the music I like (70s retro … electronica … ambient), and many of these play without interruption, without call-letters, without commercials, without an intervening human presence.

So why should I listen to our radio station in this brave new world of choice and lifestyle-customisation and narrowcasting?

And yet listen I do. I need radio.”

Give the whole thing a read. It sums up most of my thoughts about what radio should be doing… and why so many stations leave me cold.