Home AboutArchivesBest Of Subscribe

A Short Note About Old G&T Articles

Meta

Least promising headline on Dirty Feed ever, amongst some stiff competition, I know. Dirty Feed editorial policy is an even more niche subject than Hale & Pace fan fiction. But I do know there will be a few people wondering about it. Consider this a boring publishing note that most people can skip, and read something more interesting instead.

So: recently, I’ve started publishing a few posts on here which I originally wrote for Red Dwarf fansite Ganymede & Titan, which I departed from back in January. I thought I’d give a little explanation as to my choices, because republishing my old shit has never been this site’s modus operandi before. (It’s always been about publishing my new shit.) But as I said at the start of the year, I do like the idea of some of my work from G&T having a home here too, especially given that it’s the perfect chance to revise and improve a few things.

Still, some of the stuff I’ve chosen to republish over here so far isn’t exactly the obvious stuff you’d think I might pick. So here’s my thinking behind it all, for those who care.

Obviously, plenty of stuff I wrote over on G&T just isn’t Dirty Feed material. For a start, I published literally hundreds of news articles over the years, which actually consisted of the bulk of my writing – precisely none of which are worth reviving here. Pieces on the imminent transmission of The Crouches aren’t something which need to pop up on Dirty Feed in 2020.1

Then there’s the longer, but still time-sensitive articles, such as my review of The Bodysnatcher Collection DVD back in 2007. I love that they are still available online, and hope they always will be, but I don’t see any point in throwing them across to here. They capture a particular point in time, that a 2020 date attached would entirely destroy.

Finally in terms of stuff that won’t come over here, there’s the old jointly-written articles, like this piece on the climax to Red Dwarf VI. I honestly can’t remember who wrote what in those pieces – in the early days, it was often a Lennon/McCartney situation2 – but that’s all the more reason not to publish them on Dirty Feed.

So, what of stuff that is likely to find its way over here? Currently, it’s the shorter material being revised and republished, especially stuff written over the past couple of years that I still actually like. Pieces about the early satellite repeats of Red Dwarf fit neatly into the kind of thing I already publish over here, for instance.3

Then there’s the bigger pieces. Stuff like my old Hancock’s Half Hour article are thoroughly Dirty Feed material, and you’d think they would be the first things to make their way across over to here. The reason they haven’t so far is simple: I want to do a proper job at revising them to make a little more sense outside a fandom context, and that takes time. Then there’s my analysis of the sets in Series 1 and 2 of Red Dwarf, which I abandoned after three posts. That needs finishing off, but it’s a big project that really needs proper time setting aside for. It’ll happen eventually.

And finally, there are the old articles which are revised so much that I haven’t even bothered acknowledging their roots in old G&T pieces. For instance, the piece I wrote on here last month about a character-defining joke in Red Dwarf was initially inspired by a G&T piece from 2017, on an old Grant Naylor radio sitcom. But there are so many additions and changes in the Dirty Feed article – the first two-thirds are brand new, for instance – that it’s not really a rewrite of an old piece any more, and so doesn’t get labelled as such.

So there you go. Boring, but if you were confused as to the slightly-strange-from-the-outside republishing policy, then there’s your explanation. I’m not interested in porting over every single piece of writing I’ve ever done about Red Dwarf to here – anything I publish I want to reflect what I think about things today. After all, there are plenty of old articles which aren’t time-sensitive, and you’d think would make a decent post on here… but after ten years, I have decided are actually complete and utter bollocks. No point dragging out my ill-thought-through pieces about how whatever the faults of a piece of comedy, “it doesn’t matter as long as its funny”.4

Now, let’s forget about Red Dwarf for a bit. Who fancies something about Doctor on the Go instead?


  1. I do like the headline, though. 

  2. Yes, I’m afraid I actually did just make that comparison. 

  3. The revising takes two forms, incidentally. The first is to mainly strip the pieces of fandom in-jokes which wouldn’t really work over here. The second is proper improvements to the material. This piece on an old Night Network show adds some research involving TV listings which really should have been part of the original G&T version, but I was lazy. 

  4. This is one trap I fell into time and time again in old pieces of writing about comedy: segregating off “comedy” and “everything else”. Which is nonsense. Everything feeds into whether something is funny or not. A lot of my early writing about comedy is me splashing around, desperately trying to come up with something worth putting on the page… and failing. 

Read more about...

,

Five Nice Things

Internet / Meta / TV Comedy / TV Presentation

I’ve had it up to here with Twitter. This is not an in-depth article about the perils of social media. It’s just a simple statement of fact. I’ve had it up to here with Twitter.

I could list the many reasons why I’m bored with it right now. People coming into your mentions and explaining your own jokes back to you is a big one. People piping up with the ludicrously obvious take, when you’ve tried your hardest to tweet something more interesting, is another.1 The constant stream of unpleasant news is a third. I know the world’s going to shit, I am literally paid to put news bulletins on air, and monitor them closely. I don’t need to be told all this stuff in my free time as well. It’s just too much to cope with.

Then there’s the thing which pushed me entirely over the edge yesterday: making a crap joke about “nations and regions” in terms of television playout, only for someone who doesn’t even follow me to pipe up with some nebulous political point against me. And when I tried to politely explain I’m talking about something technical rather than anything wider, they block me. I got enough of this kind of aggressive, bad faith shit in the playground when I was 12. Right now, I don’t feel like willingly putting myself through it as an adult. I am bored of other people making their neuroses my business.

So for now, I’m deactivated.

Of course, it won’t last. I’ve not stormed off for good. Lots of people who I really like talking to, I only actually know on Twitter. And speaking entirely selfishly, Twitter is where I get the vast majority of hits for Dirty Feed from.2 At some point I’ll be back, like a dog eating its own fetid puke. But the longer I can take a break from it, the better for my mental health. So if you wondered where I’d got to, there’s your answer. I’m just trying to do something more useful for a bit.

[Read more →]


  1. If you worry you’ve done that to me… you probably haven’t. The people who come up with these obvious takes are entirely oblivious. 

  2. This article will be read by virtually nobody. That’s fine. You’re special

“Pedestrian, camp fantobabble”

Children's TV / Meta / TV Gameshows

There are many pieces of terrible pop culture writing online. I’ve done plenty of it myself. But sometimes, a piece of work is so dreadful, that it lingers in your head for well over a decade. To the point where it actually falls offline, and you need to use the Wayback Machine to find it.

Such was the case with this piece on Knightmare from 2002. And it really is absolutely bloody awful.

The scene is set in the third paragraph, with possibly the least promising sentence ever written:

“Actually, as I write, I realise that I haven’t seen Knightmare for sodding years.”

An admission which leads to beautiful moments like this:

“It got rubbisher, as well: in a desperate attempt to fiddle with the formula, the producers ditched many of the more atmospheric locations and charismatic characters (notably Pickle, Treguard’s wonderful gay elf sidekick) in favour of comic hangers-on and tedious gimmicry. The eyeshield, anyone? Pah.”

Unfortunately, the facts are as follows: both the eyeshield and Pickle debuted in the same series. Series 4, to be exact.1

After that, deconstructing the article is like shooting fish in a barrel, to the point where it’s pretty much worthless. For instance, take this, on why Knightmare ended:

“It died because its niche fanbase eventually either a) got older, b) got computers or c) got sex – in any case, the market for its pedestrian, camp fantobabble was never going to last.”

This article was published in 2002. Three years earlier, creator Tim Child had already written a history of the show on Knightmare.com, which gave detailed reasons for why the show wasn’t recommissioned. But the writer of this piece isn’t interested in the actual facts; they’re interested in a pithy turn of phrase. Which also explains the bizarre line about “pedestrian, camp fantobabble”, which comes out of absolutely nowhere.

I could go on – what the hell is the bit about the “niche fanbase” all about, when it was an absurdly popular show, and a touchstone for a generation? – but you get the point. The main reason I bring all this up is because I realised the other day exactly how much this article influenced me when it came to writing my own piece about Knightmare, published last month. A piece that yes, has its fair share of reminiscing about the show.

It also throws in plenty of cold hard facts, as well. It transcribes actual sections from the show. It quotes Tim Child twice, from two separate sources. It’s a piece which proves you can still write about your memories, and fact check them at the same time without destroying anything.

That old piece from 2002 makes a point of acknowledging “nostalgia’s rose-tinted eye”, but doesn’t actually do anything about it. The way to avoid nostalgia is to watch and research what you’re writing about. And who knows? You might find that what you’re writing about doesn’t “look a bit, erm, crap”. You might just find it’s still fucking great. And if you don’t think it’s great, at least you can explain why, rather than guessing.

And I write this not because I want to say I’m brilliant. Well, not entirely. But it did shape something in my approach to writing that I think is worth noting: that just because you’re writing about pop culture, it doesn’t absolve you from doing the legwork. Just because you liked a kid’s TV show when you were younger, it doesn’t mean your half-remembered guff about it is enough.

Realising that at least sets you on the right path, however well you ultimately manage to traverse it. I think I get to the start of Level 2 before being killed off, but at least that’s better than dying in the first room.


  1. There’s also no evidence that Pickle was gay, either, but I have no issue with slash being written about him. 

Read more about...

,

“You’re in my way.”

Meta / TV Drama

Thanks to The Hollywood Reporter, for reminding me that back on the 18th June, it was the 30th anniversary of the Next Generation episode “The Best of Both Worlds”.

“From 1987 to 1989, the voyages of Captain Picard and the crew of the Enterprise-D struggled to be anything more than a passable background watch in its creatively-turbulent first and second seasons. (Season two’s “The Measure of a Man” and “Q Who?” being the lone must-watch exceptions.)”

I mean, everyone’s allowed an opinion, even if it is one of the most tedious Trek opinions I’ve seen for quite a while. I’m just going to vaguely point in the direction of “The Big Goodbye”, “11001001”, “Heart of Glory”, “Elementary Dear Data”, “A Matter of Honour”, and “The Emissary”, and fold my arms in annoyance.

“The episode also doesn’t get much credit for how satisfying it wraps up that storyline for Riker. By radically accepting that an extra rank pip on his collar doesn’t determine his status or worth, Riker makes the very emotionally-honest realization that lets him have an arc even though he’s staying put on the Enterprise bridge. (Piller’s script argues that one doesn’t need to move on or change jobs to evolve personally within their profession. Ironically, Piller would stay on the series as well, before leaving to help oversee Star Trek spinoffs Deep Space Nine and Voyager. The former wouldn’t exist without the storyline established by “Best of Both Worlds”, either.)”

How is that ironic? It’s literally the exact opposite. It would be ironic if Piller had written about how you can evolve personally within the same role, and then left the series anyway, but he didn’t.

OK, whatever, I’m bored with picking apart this article. The reason why I’m pleased to be reminded of this little anniversary is because it lets me be massively self-indulgent, yet again. Back in 2018, I wrote a little piece on here called “6 Times Your Favourite TV Shows Jumped the Shark”. A pisstake of clickbait journalism and the entire concept of jumping the shark itself, I have to admit it’s one of my favourite things I’ve ever written.

It was, however, not originally “6 Times”. In the first draft, it was 10. I’m sure you can already hear the joke wearing thin from here; halfway through the article, the idea just died. So acting on advice from someone used to script-editing comedy or something, I kicked four of the sections out the door. Those excised sections were on Blackadder II (“Bells”), Frasier (“The Ski Lodge”), Happy Days (Season 3, when they changed the theme tune), and… Star Trek: The Next Generation. Guess the episode?

And while the article was fifty times better with these sections deleted, I always had a soft spot for that last little section. My favourite parts of the article were the bits where I was teetering on the line between a bad-faith argument, and something that might be, sort of, valid. I think the below definitely manages that.

So, on the 30th anniversary of that famous episode, here’s a deleted scene from an old Dirty Feed article. I told you it was self-indulgent.

*   *   *

Star Trek: The Next Generation: The Best of Both Worlds

Locutus of Borg

The third season of TNG is often seen as the moment where the show really came into its own. And it’s true: once Michael Piller came on board, the show took enormous strides in almost every single area. Showpiece episodes like Yesterday’s Enterprise and Sins of the Father are the best remembered, but I’m especially fond of shows like The Offspring – quiet, character-based shows that are the lifeblood of the series.

And then, at the end of the season, the show blows it all away.

It’s difficult to count the number of things the Borgfest Best of Both Worlds gets wrong. There’s Borg expert Lieutenant Commander Shelby, forced into the show purely so Riker can worry about his career. Written by Piller, this pathetically reflected his own worries about whether to move on from the show or stay for a fourth season; possibly the most indulgent thing ever written for the whole of Star Trek. This perhaps wouldn’t matter so much if it worked in-universe, but the whole point of TNG was to show that Starfleet officers had moved beyond petty conflict. The famous “You’re in my way” speech is a betrayal of everything Gene Roddenberry stood for.

But I could deal with that, if the resulting show was entertaining. Sadly, it isn’t. The reason Q Who was so scary is that the Borg acted as one hive mind: relentless, unstoppable. To have Picard assimilated, and act as a Queen Bee figure for our crew to talk to kills off everything which is unique about the Borg. It reduces them to stock villans, indistinguishable from the Romulans except for a few tubes sticking out here and there. You can betray Roddenberry’s future, or destroy a great villain: but in doing both, the series doomed itself.

Season 4 started with a perfunctory resolution to the absurd cliffhanger, and then followed it up with the ludicrously self-indulgent Family, a show with no science fiction elements whatsoever, and thus not even remotely within TNG’s remit. I stopped watching, and I can’t imagine I was alone.

Read more about...

Great Expectations

Meta

I try to keep housekeeping posts at a minimum here on Dirty Feed, but I feel the need to mark this one, as I’ve written a lot about it in the past. As of the 25th January, I’m no longer part of Ganymede & Titan. I know, I know, I don’t know why the media aren’t parked out on my doorstep either.

Original relaunch post of G&T in 2003

This has a few implications for Dirty Feed. Firstly and most immediately, I can suddenly spend rather more time working on silly articles for this place, which is a positive thing. More on that shortly.

Secondly, over the next few months, a few selected articles I wrote over on Ganymede & Titan might be republished here, slightly rewritten and improved. Don’t worry, there won’t be a deluge of reheated Dwarf nonsense – there would be no point moving the site’s bread-and-butter posts over to here. But some of the better stuff probably deserves a new home somewhere under my control. And I’d like the opportunity to improve a few of them too.

Thirdly, it would be complete madness for me to leave G&T, and then immediately start writing brand new Dwarf stuff over here. But once I’ve had a year or so’s break from that kind of thing, there are a few things about old Red Dwarf that I’d like to finish off here. In particular, my series of articles looking at the show’s sets has been abandoned halfway through; I’d like to bring that to some kind of conclusion. So for those of you who enjoy my Red Dwarf writing, it’s not disappearing entirely. It is going into hibernation for a bit, though.

Fourthly, I am definitely going to write something about Come Back Mrs Noah, purely to be annoying.

[Read more →]

Read more about...

,

A Decade of Dirty Feed

Meta

5 years • 10 years • 15 years

Ten years ago today, Dirty Feed was launched.

Well, actually, that’s a lie. A site called “Transistorized” launched, named after Kenny Everett greeting his “transistorized people”. It was an obscure reference at best, born out of sheer desperation for a name. Later that year, the rather more sensible moniker of Dirty Feed was coined, and I stopped having to worry about whether the site’s name should be spelt with an ‘s’ or with a ‘z’. A full 302 posts and 226,974 words1 of ABSOLUTE GOLD later, here’s where we’ve ended up. And you know me by now: I just can’t resist a little self-indulgent look back.2

First blog post on Transistorized

The origins of this site are simple enough. I’d been writing on a group blog called Noise to Signal which had naturally come to an end; there was a feeling from more than one of us that it was time to move on and strike out on our own. Which indicates that I must have had some sort of brilliant plan for what I wanted to do next, right?

Nah. I had no real idea at all. The one rule I had was not to become too much of a personal journal like an even earlier blog I’d written. I wanted to write about stuff, not myself.3 I’d also written a lot about web design and tech in the past, but my interests had shifted to other things during the years I wrote on Noise to Signal: towards television and comedy especially.

The plan, then, such as it was: start writing, and see what happened. I also had one other thing at the back of my mind: not to get too bogged down in perfection. Numerous times, I’d started blogs before, quickly got annoyed that they weren’t “perfect”, and deleted them. Time to stop all that. If I didn’t like the last thing I’d written, never mind: the next piece might be better. More than anything else, getting the fuck over myself in that regard is why there might be some things actually worth reading here, rather than just a blank page.

Ah, yes. Stuff worth reading. Time we got onto some of that. Here are some things I’ve done on Dirty Feed over the past ten years that I don’t feel like invoking the right to be forgotten over. One per year, in fact. And stay tuned until the end for some thoughts on where this place might go over the next decade.

[Read more →]


  1. As of this sentence. 

  2. Bizarrely, the name change from Transistorized to Dirty Feed was never actually noted on the site; at the time, I was extremely leery of annoying “housekeeping” blog posts, having read far too many over the years. The article you are reading now may suggest that I have thrown caution to the winds these days.

    In fact, my record-keeping in this area is so lax that I can’t even tell you exactly which date the site renamed itself. All I can figure out was that it was still Transistorized on the 12th September and had changed by the 4th October, according to an old email I have. Yeah, I realise that the fact I can’t narrow it down more than this – considering my obsession with archiving – is really bloody odd. 

  3. That rule is going brilliantly, obviously. 

Read more about...

Dirty Feed: Best of 2019

Meta

2015201620172018 • 2019 • 202020212022202320242025

“Hello again, John. Still doing your roundup of all the best stuff on Dirty Feed this year?”
“Yes.”
“Isn’t this being published even earlier than last year?”
“Yes.”
“Is that because you’re planning some huge masturbatory celebration of 10 years of Dirty Feed in January, and you at least want to spread out your willy waving to some kind of bearable level?”
“Yes.”
“I really hate you.”
“Yes.”

*   *   *

And Finally…
Firstly, a little tale of Anna Soubry presenting Central News, and some naughtiness that seemingly only I remember. (I have to admit, I was hoping a video of this might surface, especially once a few media figures retweeted the article. No luck, sadly.)

1990s Central News East logo
The Shangri-Las in the recording studio


Listen. Does This Sound Familiar?
Looking at glimpses of a lost song by the Shangri-Las. I have a fondness for this as being one of the first bits of writing about music I’ve ever done; this year I’ve tried to push myself outside my comfort zone a few times with my writing, and this piece definitely qualifies. Also: listen to the Shangri-Las, do it, do it right now.1

Night Network
If there’s one thing I want this site to achieve, it’s to post things that nobody else would ever post. Whether that’s because nobody else is capable of writing something so amazing, or because nobody else would fucking bother, is a judgement call. Whatever your answer, this piece – about the nightmares TV channel directors have to endure – most definitely counts.

Identity.
In which I spin an incredibly personal anecdote from the BBC Two Toy Car ident. You heard.

BBC Two Toy Car ident
Mike Flex and Mike Channel, KYTV


KYTV: Challenge Anna
My first really substantial article of the year: a look at one of my favourite episodes of comedy ever, and exactly what changed between script and screen. (Watch out for the practical joke Geoffrey Perkins and Angus Deayton planned to play on Anneka Rice… and then chickened out on.)

Tales from a Dystopian Future
This little story is another example of how I tried to push my writing into some different areas this year. It’s certainly like nothing else on the site. It didn’t get much reaction, and I think it has its faults. But after writing the KYTV piece – which I think turned out well, but is entirely within this site’s usual ballpark – it was nice to stretch myself with something I’d never written before.

Beyond Grace Brothers
Having done a full watch of Are You Being Served? this year, I vaguely have in mind the idea to write a book on the show. This article was a test to see if I could write about the series in any kind of entertaining way. I think it turned out quite well, tackling an area of the show that I don’t think has been talked about before. (Fuck knows when I’ll have time to write that book, though.)

Mr. Rumbold on the phone
Mr. Davidson covered in soup


Fawlty at Large
Hands down my favourite thing I’ve written all year, and certainly the one to get the best reaction. This set of four articles starts off as a look at the origins of Fawlty Towers… but halfway through, turns into something else entirely, and for my money something far more interesting. John Cleese has never written anything more terrifying.2

*   *   *

A few other brief thoughts. I really struggled with the site at the beginning of the year, with the first four months especially yielding the odd fun post, but nothing truly substantial.3 Having realised I was going to let the year slip away entirely if I wasn’t careful, the second half of the year was a lot better, cumulating in the aforementioned set of articles which I’m thoroughly proud of. If you read nothing else I’ve written this year, I’d really like it to be that.

I’m also going to make my usual plea. I make a point of not having a tip jar or Patreon on this site; I don’t need them, and your money would be better spent on others. But if you’ve enjoyed any of my writing this year, I urge you to consider donating to the Internet Archive if you can. I realise that at a time when the UK seems to be going to shit, then they might not be the first organisation you’d think of for donations. But the Internet Archive do a great deal to hold people, organisations, and governments to account, and I think that’s more important than ever. Just $5 would mean something – especially as they currently have a 2-to-1 matching campaign running, which brings it up to $15 without you doing a thing.

That’s pretty much it for Dirty Feed this year; there will be a roundup of all my Red Dwarf writing later on this month, but aside from that, that’s your lot. Thanks to everyone who’s read, liked, or shared my stuff over the past year; I really do appreciate all your kind words. One person who takes the time to tell me they enjoyed something I wrote is worth 1000 anonymous hits. And people who clearly haven’t read what I’ve written but feel the need to tell me their ill-informed opinion about it on Twitter deserve 1000 hits.4

And as for next year… what’s this I see on the horizon? Could it be the site’s 10th anniversary? And do you really think I can resist the urge to bang on about it at length until you all escape to Digital Spy in desperation?


  1. I think this article may be the first ever time a picture of the Shangri-Las has appeared next to the logo of Central News East. If any fact sums up what I try and do with this site, it’s this one. 

  2. With thanks to Tanya Jones for inspiration and help with this; so much so, in fact, that the pieces really deserve a shared byline. 

  3. Fun game: try to figure out which piece I was sure was going to be great, but I’ve since decided really isn’t, and was misguided and pointless publishing in its present form. 

  4. To the face. Specifically to the face. 

Read more about...

Dirty Feed: Best of 2018

Meta

201520162017 • 2018 • 2019202020212022202320242025

“Hey there, John. What’s this?”
“It’s a list of all my favourite articles I’ve published on Dirty Feed in 2018.”
“But don’t you usually wait until the 1st January to post that?
“Yes.”
“Just so you could anally point out that you only post your yearly roundup once the year is actually over, unlike everyone else?”
“Yes.”
“Does this mean you’re dumbing down your material to chase a more mainstream audience?”
“Yes. Could you go away now, please?”
“A mainstream audience that you’re never going to achieve, incidentally.”
“Fuck off.”

[Read more →]

Read more about...

Buried.

Internet / Meta

Dear Reader,

I try not to patronise you too much on here.1 I write the literal opposite of clickbait. While it’s lovely when something I write gets a few clicks, chasing that leads to utter madness. Writing Dirty Feed is supposed to be fun.2 However, I have to confess that sometimes an element of… calculation comes into the timing of what I publish. So it was with my collection of April Fools jokes played out in the pages of old BBC Micro magazines, published on the 1st April, because… of course that’s when you publish it. And I thought it was something that might gain some traction and find a little bit of an audience.

So I sent it out there, back in 2015. And it did… fine. Not spectacular numbers, even for this site – I thought it’d do more – but fine. I linked to it a few times on Twitter in subsequent years, updated it a little in 2017, and job done.

Until something interesting happened over this last weekend, that is. The piece got linked to in the latest b3ta newsletter. And just take a quick look at my stats for the April Fools article, especially the number for this month:

April Fool stats. April 2015: 255. November 2018: 559.

More people have just read (or at least clicked on) the piece than at any time previously. In fact, over twice as many people have read it this month than back in April 2015, when it was originally published. This was a piece designed to be linked to on April Fools Day to get a bit of interest. b3ta get hold of it just now, nowhere near April Fools and… bang.

You can never tell how stuff will end up being read. All my careful planning meant nothing.

And all this is exactly why I keep bleating on about keeping the archives of what you make online. If I’d yanked that piece offline after a year, for whatever reason, it would have lost the majority of people who ended up reading it. As it was, it was just sitting there… waiting to be discovered, and to have a little moment in the spotlight. Just a little moment – it’s not like it racked up thousands of hits. But that’s fine. I don’t need a piece to get thousands of hits.

Because I love people reading my old articles full stop. I think of Dirty Feed as an archive. What’s on the front page isn’t the most important thing about the site. It’s what’s buried in the archives which makes me happy.3 And my favourite thing is when someone tells me they’ve just spent ages in the archives, clicking around on things which looked interesting to them. I think of the site as a complete entity: the last ten posts are a tiny part of the whole.

There’s far too many things competing for people’s attention these days. Even if it’s a piece I’m really proud of, there’s no guarantee people will react to it straight away. But that doesn’t matter. It can just sit there… waiting. Some of them will be found eventually. And that’s enough.

If you found this piece and enjoyed it in 2028: hey there. I love you.


  1. I just failed with that sentence. 

  2. Although I often don’t find writing that much fun, which means I’m exactly as brilliant a writer as Douglas Adams. 

  3. I should probably do a better job highlighting some of that older stuff; the best of link in the navigation is fine, but not enough. I should get round to finishing the random selected articles feature for the front page, really. 

Read more about...

Twitter Isn’t Killing Blogging. You Are.

Internet / Meta

Andy Baio, “Middling”, 16th October 2014:

“Twitter’s for 140-character short-form writing1 and Medium’s for long-form. Weirdly, there really isn’t a great platform for everything in the middle — what previously would’ve just been called “blogging.” Mid-length blogging. Middling.

I think that’s partly why seeing Matt Haughey, Paul Ford, and Michael Sippey restart regular blogging on Paul’s delightfully retro tilde.club is so refreshing to me. I miss seeing people I admire post stuff longer than a tweet.

So I think I’ll try doing the same thing here. In the early days of Waxy.org, before I launched the linkblog, I used to blog short posts constantly. Multiple times a day. Twitter and Waxy Links cannibalized all the smaller posts, and as my reach grew, I started reserving blogging for more “serious” stuff — mostly longer-form research and investigative writing.

Well, fuck that. I miss the casual spontaneity of it all, and since I’m pretty sure hardly anybody’s reading my site again after the death of Google Reader, the pressure’s off.

What do I have to lose?

Update: Nice, Gina Trapani’s in too.”

Four years on, how did all this work for Andy? Since he posted the above – and forgetting about his linkblog – he’s done 38 posts on waxy.org. An average of nearly 10 a year, although in fact the rate has really slowed – he’s only posted two so far in 2018.

Sadly, all three tilde.club sites he mentioned stopped updating by the end of 2015. As for Gina Trapani, whose post also contained lots of great ideas? She also stopped updating at the tail end of 2015, and her blog isn’t even online any more: it redirects to her professional site instead.

In contrast, since 16th October 2014, Dirty Feed has done 137 posts, including this one, with 23 posted this year. And I don’t even update this site nearly as much as I would like. Moreover, although the posts range from deep investigations to “hey, look at this”, there isn’t a single one which doesn’t have at least some kind of analysis of sorts.

*   *   *

OK, OK, I know. This looks like some kind of pathetic macho pissing contest. So yes, I fully admit: “how often you update your website” isn’t exactly the most useful metric when it comes to judging how your life is going.

I bring up the above just to point out: when it comes to keeping a blog updated, I have at least proved I know how to do it. And it’s very easy to blame social media when it comes to people finding this difficult. Hell, Andy Baio does it in the post above: he says Twitter “cannibalized all the smaller posts”. This seems to be a common thread: I’ve heard endless people talk about how the more they used Twitter, the less they blogged.

Here’s the thing, though: I don’t think this should be an either/or situation. Twitter is extremely good for coming up with ideas, thinking things though, and getting feedback… and then you can use all of that to write something a little more permanent on your own site. (And perhaps most importantly: under your control.)

A good example is my short post yesterday on why all television deserves a little theatrical sparkle; it all comes from this Twitter thread I posted a few days ago. I didn’t mean to come up with an outline for an article – I was just thinking aloud – but huge chunks of the language in those tweets actually ended up verbatim in the resulting post. Moreover, the post didn’t even take very long to write, because I’d already done a lot of the thinking behind it when writing that set of tweets.

And to me, the above seems obvious: obvious to the point that it seems weird even writing and publishing this post. But it always seems that Twitter and blogs are put into opposition: that Twitter is taking up all the time people used to spend writing on their own site. That might be true: but it doesn’t have to be the case.

You can have the best of both worlds: the ease and immediacy of Twitter, and the more thoughtful and permanent record of your own blog. It just involves you getting round to actually writing up that post, once you’ve done your thinking on Twitter. If you don’t want to do that, then fine – nobody is obligated. But blaming Twitter for it probably isn’t the best idea.

Personal sites will only die if we let them. Of all the many, many things we can currently blame Jack Dorsey for, this isn’t one of them.


  1. Of course, since Andy wrote this post, Twitter now allows 280 characters per tweet. I don’t think this fundamentally affects his point, though. 

Read more about...

,