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Centrepiece of Municipal Display Stolen

Published 23rd April 2025

TV Comedy

Having just done a full rewatch of Men Behaving Badly, I thought it was about time to do a multi-part article on the series, really nailing exactly what it is that makes the show tick, what Simon Nye was trying to say about how people worked, and why we seem to find it impossible to make audience sitcom like it today.

Nah, just kidding, I want to poke at a newspaper prop again.

So let’s take a look at “Gary in Love”, the penultimate episode of Men Behaving Badly, broadcast on the 26th December 1998.1 As a reminder, the gang have gone to Worthing, and Gary and Tony steal a massive ornamental fish and stash it in their hotel room, for reasons. Unfortunately, this drunken bender does not go unnoticed, not least by the local paper.

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  1. Incidentally, please appreciate the effort I have gone to in order to provide proper widescreen screengrabs from this episode. Despite the final three episodes being made and broadcast on digital in widescreen, the DVD is a 4:3 centre cutout… and has never been reissued in widescreen format. Later streaming releases, like YouTube, are widescreen… but are half the frame rate they should be, as per all interlaced material released on every streaming site aside from iPlayer. Meaning you cannot actually buy a proper version of the final three episodes of Men Behaving Badly, which is utterly ludicrous.

    We’ll have to hope for an iPlayer boxset at some point. ↩

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Everyone We Know Loves The Dandy

Published 22nd January 2025

TV Comedy

Recently, I’ve been burying myself in Radio Times letters pages of the 1970s. It can be a grim place to be, with its long, outraged analysis of various current affairs programmes. It’s almost as bad as Bluesky.

So thank heavens for the following shaft of light, published in Issue 2575, cover date 17th-23rd March 1973:

What comic does Eric read?
In the Morecambe and Wise Show (BBC1) of 23 February, Eric was reading a comic which stated that it was the Dandy, but the phrasing on the cover was: The Comic with Minnie the Minx.’ Minnie is one of the most popular characters in the Beano.

Other Beano characters are Biffo the Bear, Grandpa, Lord Snooty, and Dennis the Menace (not forgetting his dog Gnasher).

Also, in a comic which was so clearly the Beano, what on earth was Desperate Dan of the Dandy doing?

The ultimate in stupidity was reached when Eric mentioned Pansy Potter, who is a regular feature of the Sparky!

Brian Spursell (aged 10)
Manchester

Sure enough, if we check Series 7 Episode 8 of The Morecambe and Wise Show, broadcast on the 23rd February 1973:

Eric and Ernie in bed, Eric reading the Dandy, and Ernie reading the Financial Times

The same, from a different angle

That most definitely is an issue of The Beano with a horrible fake Dandy masthead clumsily pasted over the top. This one, in fact: Issue 1578, dated 14th October 1972.

Full cover of The Beano, Issue 1578

Moreover, it really is supposed to be The Dandy – as Brian Spursell (aged 10) says, Eric specifically mentions Desperate Dan, a Dandy character:

ERNIE: It’s got my beat, I just can’t make it out. I just can’t understand it at all. The market’s down four points.
ERIC: It’s got me beat as well. Desperate Dan’s just eaten four cow pies and he’s still hungry.

Although Eric does then start talking about Lord Snooty later in the sketch, a Beano character. I want my licence fee refunded.

As for why they badly mocked-up a Dandy, rather than simply using a real issue: who knows. I very much doubt it’s product placement worries; we can clearly see Ernie reading the Financial Times, and a Beano is featured in the following sketch anyway. It smacks of an emergency fix by the prop department, but you’d think it’d still be easier just to pop down the shops than to start mocking up mastheads.

Never mind. Maybe we should just ask Eric Morecambe, as the Radio Times did back in 1973:

ERIC MORECAMBE replies:
I have received several letters making the same complaint, and I am delighted, because I was just testing you.

And there’s an Eric Morecambe joke few people have read for over 50 years. You’re welcome.

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Great Brain Robbery

Published 16th September 2024

Film

FREDERICK: The study of birds and their habits is quite fascinating, Mrs. Gamely. I was only reading about it in stir… Sir Benjamin Stir, I mean… he’s the leading author on the subject, you know.
MILDRED: Oh yes?
FREDERICK: For instance, did you know there are some species of birds which are now practically extinct?
MILDRED: Really?
FREDERICK: Now, you take the little bustard. Now it seems that 50 years ago, the south part of England was overrun with little bustards.

The standard line about The Big Job (1965) is that it’s an ersatz Carry On. It’s generally a fair enough comment, great fun though the film is in is own right. A caper movie directed by Gerald Thomas, produced by Peter Rogers, co-written by Talbot Rothwell, and starring Sid James, Joan Sims, and Jim Dale, how could it really be anything else than Carry On Nicking?

Yet I’d argue there are a few differences. While it’s certainly a genre film, it’s certainly less of a genre parody than most Carry On films were around this point; we’re not really in Spying, Cleo, Cowboy or Screaming territory here. Secondly, it does rather feel like we’re missing one more key Carry On face; you could well imagine Hattie Jacques in the place of Sylvia Syms, or Charles Hawtrey instead of Lance Percival.1 Or, indeed, Kenneth Williams in place of Deryck Guyler, as the police sergeant more interested in choir practice than policing.

Another thing which sets the film aside from most of the Carry Ons is the opening. The first fifteen minutes are set in 1950, and the gang’s bungled robbery. Unusually, we then skip ahead a full fifteen years to 1965, and their release from prison. As part of this opening sequence, we get a Daily Express front page, featuring news of the gang’s exploits:

Daily Express as seen in The Big Job. Headline: GREAT BRAIN ROBBERY

It’s difficult to tell the exact date from the DVD, but the paper is clearly supposed to be from March 1950; entirely correct in terms of the plot. So do you think the production went out and grabbed a period-correct copy of the Daily Express?

The real version of the Daily Express, with the headline now reading TORY REBELS' ROW. The date is Tuesday March 2nd 1965.

Nah, they just grabbed one from when the film was in production, of course. Lazy bastards.

Yes, this was all just an excuse to do one of those articles again. Sorry.

  1. Yes, I know Percival is in Carry on Cruising, but that was his only Carry On – you don’t really associate him much with the series. ↩

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Not In My Paper

Published 4th September 2024

Film

MAYOR BUMBLE: I do feel that Councillor Fiddler has a point there, considering our very high seasonal rainfall figure.
PRODWORTHY: Oooh really, Mr Mayor? Personally, I think it is quite an average one.
FIDDLER: If you think nine inches is an average one, you’ve been spoilt.

I’ve always had rather an, erm, soft spot for Carry On Girls. When I was younger, it was because I fancied Margaret Nolan. Now I’m older, it’s because I really fancy Margaret Nolan.

Nonetheless, one thing which struck me on my recent watch is how successfully the film manages to have its cake and eat it. Sure, Sidney Fiddler and Hope Springs make a successful getaway, and their grinning faces are the final thing we see in the film, but don’t forget that Operation Spoilsport was also a success; the feminists get their own victory too. Even Connie Philpotts manages to get her money. Everybody wins, in some form or another, and that’s one of the things which gives the film its charm.1

But as ever, we’re not here to discuss the film properly in any sensible way. What interests me today is the following sequence of newspaper headlines, after the filming of the news report descends into chaos:

You know where this is going. Which real newspapers did the production use in order to make the three props for the above scene?

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  1. Thought experiment: imagine a version of the film where Sid foils the feminists, in the same way that he does with the hippies at the end of Carry on Camping. It would add a deeply unpleasant note to the film, and render it almost unwatchable. ↩

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That Squalid Little Rag

Published 15th October 2023

TV Comedy

On the 9th March 1981, BBC2 first broadcast the Yes Minister episode “The Death List”. It’s a particularly good episode for many reasons, not least Graeme Garden marching into the programme for one show-stealing scene, and turning it into The Goodies.

But that’s comedy, and we don’t deal with comedy around here. We deal with far more important things. Such as: which issue of Private Eye is Jim Hacker reading from here?

Is it a real issue of the magazine? Or is it a prop, made from scratch?

Let’s see what we can dig up. Our first point of call is, of course, Private Eye‘s covers library, which usefully gives us an image of every single cover since the magazine’s first issue. And to help narrow down the search, we also know that “The Death List” was recorded in studio on the 1st February 1981. Did they just grab the latest issue of the Eye and bung it in Paul Eddington’s hands?

Not quite. The above cover doesn’t appear in Private Eye‘s cover archive. But Issue 497, dated the 2nd January 1981 – just a month before the studio date – looks rather suspicious:

Private Eye cover with purple background

Private Eye issue held in episode, with purple cover

That purple background is very distinctive. Which gave me ideas. But there was only one way to know whether I was right. Luckily, the back page of the magazine is very prominent in the episode as well, with the obvious wording of CAMP AFRICA in the top left.

A quick eBay later, and I held a copy of Issue 497 in my sweaty, desperate hands. Was my gut feeling correct?

Actual issue of Private Eye, showing purple cover and CAMP AFRICA advert

Yes indeed. The prop department simply got a recent issue of Private Eye, stuck a new picture on the front over the old one, and job done. Lovely.1

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  1. The question is: why exactly did Yes Minister bother to change the picture? Is it because the original cover has TV-am stars on? Could they not get the rights? Or did the Beeb literally not want to advertise ITV?

    It’ll be something like that, anyway. But I would suggest there’s another reason why it makes sense to have a mocked-up Private Eye cover. The world of Yes Minister isn’t quite our world. Sure, there are newspapers dotted around the series which have real-life headlines, but they aren’t usually plot-relevant props. As soon as something gets drawn into the story, it makes sense for the issue of Private Eye to not be a “real” one. Things are supposed to be slightly askew. ↩

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Police I.Q. Shocker

Published 8th April 2022

TV Comedy

In a surprising move, today we’re going to take another look at The Young Ones. But this little tale is a good example of how researching old TV shows can lead you down an alley you never really expected.

Let’s join Mark Arden and Stephen Frost as a couple of gormless policemen in “Boring” (TX: 23/11/82).

As the picture dissolves into the newspaper headline, anyone who has been following my recent nonsense knows what’s coming next. What newspaper did they use as a basis for the prop, and what original story did the “Police I.Q. Shocker” headline replace?

The Guardian newspaper - lead headline Police I.Q. Shocker

Unlike our previous examples, this one is pretty straightforward. There’s no replaced or altered mastheads here. Not only is the paper an actual copy of The Guardian, but the correct date of the edition is visible, clear as a bell: August 3rd 1982.

Which means finding the original front page of the paper is easy:

Full front page of The Guardian Tuesday August 3rd 1982

The only story the production team changed was the middle one; everything else on the page is identical. The replaced story concerned Philip Williams, a soldier who turned up alive after six weeks, having been presumed dead fighting in the Falklands. In fact, now we know this, the line “was missing, presumed dead” is clearly visible in the broadcast episode, underneath the new headline.

Now that’s comedy.

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Tonight’s Special Guest Star: Adolf Hitler as Himself

Published 20th March 2022

TV Comedy

It is perhaps a mark of the kind of show Red Dwarf is that an episode can start with having Lister climb into a living photo featuring Adolf Hitler, beat him up, nick his briefcase, and accidentally foil an assassination attempt.

Nevertheless, ten minutes into “Timeslides” (12/12/89) that is exactly what has happened, leading to Rimmer’s memorable line: “You can’t just stick one on the leader of the Third Reich.” But we’re not here to talk about the actual comedy in the episode. That would be ludicrous.

No, we’re here to talk about this prop newspaper:

News Chronicle newspaper: headline Hitler Escapes Bomb Attack at Nuremberg

In grand time travel story tradition, this is the shot that tells us that what Lister did is real. His leap into the living photograph had actual, lasting repercussions for the universe; it didn’t exist in its own little bubble. It’s the revelation that powers the whole rest of the episode.

It’s also the kind of shot which makes me think: hang on, did they make that newspaper front page from scratch, or is it based around a real one? Of course it made me think that. I have form.

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DJs Leave Radio Fab

Published 8th February 2022

TV Comedy

JOHNNY BEERGUT: They’re sacked!
SMASHIE & NICEY: We resign!

The internet is not short of praise for Harry Enfield and Paul Whitehouse’s Smashie and Nicey: The End of an Era (TX: 4/4/94). This is not surprising, given that it’s their masterwork. What the internet is short of, mind, is going through End of an Era with a fine toothcomb, and picking out bits of obscure production detail.

Hello there. After our relaunch, let’s get back to business as usual, right?

So take a look at the newspaper at the beginning of End of an Era, announcing the resignation of Smashie and Nicey in a highly amusing manner.1

Now, clearly they wouldn’t have written an entire edition of a newspaper just for this sequence. So our question for today: what real newspaper did the production team use as a basis for the prop?

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  1. Incidentally, I also enjoy the Hippies take on this joke: HIPPIES IN POINTLESS, STUPID PROTEST AT OBSCURE SANDPAPER EXHIBITION. ↩

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