Firstly, apologies for Chris Tarrant’s face there. He looks like a ghost that’s getting sucked off. Secondly: is that the 1989 ITV generic logo I spy there? Surely that look had long disappeared by the time WWTBAM was aired? The look I always remember associated with the show is the yellow and blue identity:
Clearly not, though the crossover was in fact very tight, just like your mum. The first episode of WWTBAM? was broadcast on the 4th September 1998; the blue and yellow ITV logo was launched on the 5th October 1998, just a month later.
It’s very easy to forget quite how long that 1989 generic logo survived; no way would I have said it was still being used on a network programme in 1998. In my head, the ITV of 1998 is very different to the ITV of 1989, as shown in this launch promo:
The appearance of this logo in WWTBAM? feels almost like a missing link. And an unpleasant reminder that yes, even the late 90s were a rather long time ago now. Shit.
To make us feel a little better about that, then, there is another reason why seeing this logo pop up is so surprising – and it speaks to how TV subtly rewrites itself. If you look at the Challenge repeat of the first episode of WWTBAM?, the section featuring the 1989 ITV logo is cut entirely. Not because of the logo itself – but simply because it’s on during the section where Chris Tarrant is asking for contestants for the show, and that wasn’t an appropriate thing to air in a repeat.
Understandable, and something needed to be done to this section to avoid misleading or confusing the viewer, but perhaps a little frustrating. As it is, a tiny slither of TV history is lost with this cut, and that’s somewhat unfortunate.
No wonder we lose track of this stuff so easily.
There are two people in this world: people who entirely understand why I would want to watch the very first episode of Who Wants to Be a Millionaire? on YouTube, and those who don’t. ↩
Yesterday there was a bit of consternation about a late schedule change forcing coverage of Wimbledon onto BBC Four and postponing Top of the Pops for an hour. For various reasons I can’t really talk much about that, although expect a THRILLING article about schedule changes generally on here at some point.
I would, however, like to point out something about how Sue Barker ended the show. Over a beauty shot from the grounds:
“Now, coming up next on BBC Four it is Top of the Pops 1982, and it’s a good year for music. A vintage year for tennis as well; Jimmy Connors beat John McEnroe here, and also Martina Navratilova beat Chris Evert. So, that is next here on BBC Four, but I hope you enjoyed our coverage at Wimbledon – we’ll be back with more tomorrow at 11:30. Clare Balding will be here with Today at Wimbledon, that’s at 9:30 on BBC Two. But for now, from Wimbledon, goodbye.”
It’s simply one of the most skilful bits of presenting I’ve ever heard.
So, you want a more inappropriately placed end voiceover than the one on GOLD the other day? How about this one, taken from tonight on Challenge+1?
Well done Challenge. You have LITERALLY managed to disrespect the dead.
It’s fairly simple. If you’re using pre-recorded voiceovers, make sure you preview everything to check your timings are right. If you can’t be arsed to do that, at least place them 15 seconds or so before the end, so you’re unlikely to crash the programme.
Don’t make it look like you don’t give a stuff about the channel, or the viewers. If you can keep the dead out of your incompetence as well, so much the better.
(EDIT: Listening again, only just noticed – the voiceover repeats halfway through! Ouch…)
Oh dear, GOLD’s going through an identity crisis. Broadcast at around 7:40pm on the 19th October:
For anyone wondering how that happened, I’m fairly certain that’s a dynamically created trail – not a pre-created piece of video, but automatically generated by the playout server. Clearly, the right schedule information, audio, and video clips were present – but the wrong channel graphics were selected…
Well, things have been quiet around here for a while, haven’t they? Whilst we prepare for upcoming “stuff”, take a look at something I posted on Twitter a while back, from 70s Bill Maynard vehicle Oh No, It’s Selwyn Froggitt. (Which, incidentally, has a dodgy pilot, is really good for the first series, and then sadly tails off a bit.) Yep, you’re waiting around for the Yorkshire endcap at the end, although feel free to enjoy the end theme, which proves that Blackadder II isn’t the only sitcom which had different lyrics for the end of each episode…