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Battle Plans

TV Comedy

Last month, I wrote about the 1993 Red Dwarf script book Primordial Soup, and how it gave us a little insight into the production of “Psirens”.

But there’s plenty else of interest in that book. I always rather liked the introduction Grant Naylor wrote for it; an introduction which is sadly missing from the version uploaded to the Internet Archive. My copy is currently lost in a house move, so many thanks to Dan Cooper for sending me a few snaps. It’s just as much fun to read as it was all those years ago.

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“What Is the Function of This Illusion?”

TV Comedy

1. Model Shot
Starfield. We pan to reveal enormous sun. After a pause, Starbug beetles across the disc of the sun.

2. Int. Obs. Deck
Dark. Various consoles click into life as we pan round the room, and come to rest on two deep sleep units. Suddenly, one of them flares with blue light from inside, and its hood hisses back, revealing a slowly-waking LISTER, wearing soiled long johns. He sits up. His mouth tastes vile. He notices his fingernails and toenails are six inches long. LISTER pads across the room, and starts to cut his nails in a desk-mounted pencil sharpener. He catches his reflection in a blank TV screen.

LISTER: (To his reflection) Who the hell are you?

Red Dwarf, “Psirens”, Primordial Soup

The Red Dwarf episode “Psirens” was first broadcast on BBC2 on the 7th October 1993. But that’s not how a lot of Red Dwarf fans first experienced the episode. Or specifically, how they first read it.

Because in March 1993, the first Red Dwarf script book, Primordial Soup was published. This contained the scripts for the episodes “Polymorph”, “Marooned”, “Dimension Jump”, “Justice”, “Back to Reality”, and… erm, “Psirens”. Seven months before it was broadcast. Not exactly how you’d choose to reveal the first episode of a brand new series, especially one with an intriguing format change: the crew left adrift on Starbug.

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The Mystery of Zectron 2000

Children's TV / TV Comedy

Sometimes my knowledge of a popular science fiction sitcom can reach mildly irritating proportions. When this happens, I do feel the urge to share it with you, and spread the irritation around equally,

Take the following episode of Press Gang Series 4, “Love and War”, broadcast on the 28th January 1992. We are particularly interested in the voice of Colin’s ludicrous electronic briefcase.

Now, the actor for the briefcase isn’t listed in the end credits. Which is peculiar – sure, it’s only a voice, and an electronically altered one at that, but it’s very clearly a comedy performance. But not to worry. Because I recognised that voice.

Here’s a clip from Red Dwarf, “Emohawk: Polymorph II”, broadcast nearly two years later, on the 28th October 1993. The gang are being tracked by a Space Corps External Enforcement Vehicle, whose voice should sound rather familiar:

Luckily, the voice is actually credited in Red Dwarf. It’s Hugh Quarshie, probably best known as Ric Griffin for nearly two decades of Holby City, as well as appearing in The Phantom Menace, and a million and one other things.

And one of those million and one other things? Erm, Press Gang. Specifically, the two parter “The Last Word” in Series 3, broadcast on the 28th May/4th June 1991. With that, the final piece of the puzzle clicks into place: Series 3 and 4 of Press Gang were produced and shot simultaneously.

So who did Quarshie play in “The Last Word”? Answer: Inspector Hibbert, an important character with a crucial moral choice at the end of the show. I won’t spoil that moral choice if you haven’t seen it, but here he is from earlier in the story:

Those two episodes are some of the most serious material the show ever did. Who knew that Quarshie’s turn as an Inspector in a two-parter mediating on gun crime, suicide, and the nature of guilt would be followed up with… a silly talking briefcase? Come to think of it, that seems to be Press Gang in a nutshell.

Still, it really is a shame he wasn’t credited in “Love and War”, but at least Hugh Quarshie got a proper credit in “The Last Word”.

The Last Word Part One credit sequence, featuring Hugh Quarshie as Inspector Hibbert

The Last Word Part Two credit sequence, featuring Hugh Quarshie as Inspector Hibbert

Huge Quarshie?

Oh well.

With thanks to Christopher Wickham. A version of this post was first published in the November issue of my monthly newsletter.

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The Red Dwarf

TV Comedy / TV Presentation

On the 15th February 1988, the first episode of Red Dwarf aired on BBC2. I had no idea about it.

On the 7th January 1994, the first episode of Red Dwarf aired on BBC2 for the second time. I became obsessed with it.

On the 25th August 2023, the first episode of Red Dwarf aired on BBC2 for the seventh time.1 I prepped it for TX.

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  1. I usually write BBC2 for the channel pre-1997, and BBC Two for the channel post-1997, as per the branding guidelines. But that got really irritating swapping between the two with this article, so I’ve stuck to BBC2 for everything here. 

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The Teaching Room

TV Comedy

Welcome back to yet another article where I look at Red Dwarf‘s sets in mind-numbing and excoriating detail. And having already recently investigated some thrilling wall sections and the Captain’s Office, we turn to what might initially seem an unpromising avenue for spectacular revelations: the Teaching Room in Series 1.

I think, however, you may be surprised. Because telling the story of this set leads us into some rather interesting areas which I don’t think have been examined before. As ever, we don’t have the paperwork handy to be able to check any of this: we have to do some deduction, some guesswork, and leave some questions unanswered.

With that health warning, let’s take another trip through early Red Dwarf – as ever with these articles, in order of recording rather than broadcast.

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The Captain’s Office

TV Comedy

Hello everyone. Last time in the crazy world of Red Dwarf set analysis, we took a look at the history of three wall sections used at BBC Manchester in 1988. (You need to have read that to have a hope of following this piece.) How could I possibly top that majestic piece of writing?

Answer: with one of Series 1’s most famous oddities. Yes, it’s the disappearing and reappearing Captain’s Office. This article was intended to be a more general look at the Drive Room set, but believe it or not I have found enough to say about this single topic to make a full standalone piece. I am not dumbing down my material. It’s always been this stupid.

As before, we need to take this one in recording order, rather than broadcast order.

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A Leak, Right, in Stasis

TV Comedy

Many, many years ago, on a forum known as NOTBBC, somebody said something which caused me a fair amount of anguish. I can’t remember the exact words. Nor can I find the forum post in question. But I remember well enough the point of it.

It was a rather sharp remark about how fandom, in its various forms, often seemed more interested in making lists of things, instead of actually analysing the show they were a fan of. And that most of these things were done because people enjoyed the list creation itself, and all the mental tics which go along with that, rather than actually talking about a show properly.

It stung. It was unfair. It was insulting. And it maybe had a little more truth to it than I cared to admit.

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Loss.

Life / TV Comedy / TV Presentation

A couple of years ago, I had a great idea. In the BBC’s centennial year, I wanted to write a diary of the BBC presentation department. Capturing not only what we did, but what it felt like. The nuts and bolts of putting together reactive linear television at the coalface, no holds barred. All the great things about it, and all the awful things too. Oh, not for publication now, you understand. Or even in 10 years. At least 30, probably more. But there would have been no more worthwhile thing I could have done in 2022.

I failed. I never even started it.

It wasn’t laziness. I did loads of writing last year; over 50k words here on Dirty Feed. But I can’t do my fairly stressful job all day, and then go home and write it all up. Nor can I use my days off to do it either. My brain desperately needs to think of something else. I can put on Eurovision, and then go home and write about Fawlty Towers. But I can’t put on Eurovision, and then go home and write about putting on Eurovision. A few vague tweets is the best I can do.

All of which makes me sad. Because I mean it: there really is no better thing I could have done with my time last year. For all the fun stuff I published on here, that pres diary would have been far more useful. In decades to come, capturing what we did in our corner of the BBC to make everything work on air would be an amazing thing to have. But it was impossible to write. For me, at least.

Oh well. Sorry.

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From Supply Pipe 28 to Floor 592

TV Comedy

Over the last few years, I’ve posted many pieces on Dirty Feed analysing Red Dwarf‘s sets, including obscure wall panels, a piece of set which survived the first eight series, and… doorways. But this article, first published on Ganymede & Titan in September 2018. was the very beginning of my research into this ridiculous topic.

It’s been significantly revised in a number of places, not least the ending, which has some EXCITING REVELATIONS I’ve never written about before. So if you read it all those years ago and enjoyed it, this version might actually be worth another peek. I always feel old G&T stuff never quite fits in correctly here, even after rewrites; my writing style has just changed too much in the intervening years. But this piece was an “important” step in my love of researching all this nonsense, and feels like it deserves a home here.

*   *   *

When I say to random people “Hey, what do you remember about the sets of the first two series of Red Dwarf?”, they back away from me and look for the nearest exit. Before they manage to escape, however, they usually mention the bunkroom. They might stammer out an anecdote about a yellow banana adding colour to the set in Series 2. Really cool people might mention how the Drive Room changes between series, or how the Observation Dome is a perfect combination of live set elements and special effects.

Still, all those stories have been told. I want to dig a little deeper, and I don’t care how boring things get in order to do so. With that in mind, I proudly present: a history of three wall sections, used at BBC Manchester in 1987-88.

Enjoy.

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More Trouble Aboard the Red Dwarf

TV Comedy

For obvious reasons, ephemera surrounding the first series of Red Dwarf is like gold dust. Of course material is going to survive once the show had an established fanbase; things from when the show was just a slightly odd new sitcom on BBC2 are a whole other thing.

One of these pieces of ephemera has become widely known about and distributed: an off-air trail for the first episode “The End” made it onto the Series 1 Red Dwarf DVD release in 2002. That trail was uploaded to YouTube in 2015, including the surrounding content which couldn’t be cleared for DVD; this variant was broadcast on the 13th February 1988, just two days before the episode aired.1

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  1. There’s also this version of the trail, broadcast on the 8th February, the week before the episode aired. That’s the earliest transmission of a variant of this trail I know of. 

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