Khoi Vinh, “Movies Watched, 2017”, 5th January 2018:
“That beats my 2016 total by five and averages out to just under sixteen a month, a pace I credit to my continued adherence to a largely television-free diet. I’m going into my third year doing this now and I don’t miss TV much at all, especially as eschewing it has afforded me the time to watch and re-watch so many great or obscure or fondly remembered movies that I’d never be able to otherwise. Television is a waste of time, people.”
Khoi Vinh, “Movies Watched, February 2018”, 8th March 2018:
“Alan Partridge’s Scissored Isle” Also hilarious.
Alan Partridge’s Scissored Isle is not a movie, but a television programme, originally made and broadcast by Sky in 2016. And not only is it a television programme, but it’s a parody which makes fun of the conventions of a certain kind of television documentary. It only fully works in the context of it being a television programme.
If you’re going to dismiss an entire artform, by all means do so. But it’s probably best to be consistent about it, rather than pretending the bits you like are actually movies instead.
BRIAN: Dear Mr. Vernon. We accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. What we did was wrong, but we think you’re crazy to make us to write an essay telling you who we think we are. What do you care? You see us as you want to see us: in the simplest terms, the most convenient definitions. You see us as a Brain, an Athlete, a Basketcase, Princess, and a Criminal. Correct? That’s the way we saw each other at 7 o’clock this morning. We were brainwashed.
– Opening monologue, The Breakfast Club (1985)
Above is one of the most famous monologues in film history. This is the tale of how it almost never was… or, at least, how it was almost never famous.
Floating around online is an early draft of The Breakfast Club script (PDF link). There is no date attached, nor does it specify exactly which draft it is: the front page is entirely missing. It is, however, significantly different to the film which made it to the screen. Detailing even the major changes is a task for another day, and would involve comparing the script not only with the final film, but also the deleted scenes on the recent brand new Blu-ray release.
But I thought comparing that opening monologue to the one in this unspecified draft might be fun. Let’s take a look at it…
…what’s that? It isn’t present in the film’s opening at all?
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When it comes to rumours and Who Framed Roger Rabbit, you all know the drill. Eddie Valiant and Jessica chase Judge Doom out of Toontown, they crash spectacularly, sail through the air, Jessica’s dress hitches up, and you may or may not be able to see her hairy minge. The whole thing has been investigated in great detail, although frankly not quite enough detail for my taste.
Still, that’s not what this piece is about. No, my query is about another rumour associated with the film – and specifically, about this scene in Toontown with Eddie:
We’ll let the previously linked to Snopes article give us the basics (emphasis mine):
“In another scene, Bob Hoskins steps into a Toon Town men’s room. Graffiti on the wall reads “For a good time, call Allyson Wonderland”, with the phrase “The Best Is Yet to Be” appearing underneath it. Allegedly, Disney chairman Michael Eisner’s phone number replaces the latter phrase for one frame. Although the “Allyson Wonderland” graffiti is clearly visible on laserdisc, Eisner’s phone number is not. If the phone number was in the film originally (as rumor has it was), it was removed before the home versions of the movie were made available.”
The removal of this phone number seems to apply to every single home version of the film I – or seemingly anyone – has ever come across. LaserDisc, VHS, DVD, Blu-ray, the lot. If Eisner’s phone number was ever there in the film’s theatrical release, it’s gone from the retail versions. If is was ever there, of course. Because without evidence, this really starts to take on the feeling of an urban legend. Notably, Snopes has no actual evidence to offer, and the article goes out its way to label the phone number story as a rumour.
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Here’s something rather silly I’ve put together. Anyone up for a bunch of 8-bit versions of popular TV and film themes, taken from a load of BBC Micro games? I CAN TELL YOU ARE, HELLO YOU.
Some of the pieces are really well done – I especially love the opening version of the Match of the Day theme – and some… aren’t. What the bloody hell is that interpretation of Play Your Cards Right?
Download “Four Channels” (13MB MP3, 11:06)
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So, I’ve just spent the last week in Brussels, and I’m happy to report I spent half the time being extremely childish, and the other half being vaguely cultured. On the childish side you have things like this, and on the culture front I visited the fantastic exhibition Stanley Kubrick Photographer at the Royal Museum of Fine Arts, on display until the 1st July.
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Ah, nothing I like better than picking tiny holes in articles I otherwise agree with:
Zelda: Skyward Sword – The Great Graphics Debate
“If a piece of art was once brilliant and stirring – if it truly was such – no technical advancement or passing of time can take that from it.”
YES YES YES YES YES YES YES YES YES
“The old, classic, black and white movies (like Orson Welles’ Citizen Kane or Federico Fellini’s 8 1/2) are no less captivating and memorable now that HD cameras are the standard.”
NO NO NO NO NO NO NO NO NO
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