Ah, Sunday. Where the vast majority of my Twitter feed seems to want to sit around and read/watch/talk about telly. So in lieu of anything else new here, I thought I’d point you towards a load of articles and videos other people have done instead.
First off, we have some brilliant analysis of Robot Wars by Christopher Wickham. Fancy learning about a robot which was renamed between the BBC Choice showing, and its BBC Two repeat? Or what about a rigged trial round? Or, indeed, a rigged Grand Final? Or a bunch of other obscure trivia about the show? Most of the CONTROVERSIAL BITS discussed have associated YouTube links, and I highly recommend you don’t rush through them – sit back and watch the fights in full alongside the articles. It’s worth it. Even when it’s difficult to nail down exactly what happened, some of those fights look very strange indeed in the final edit.
Out of all of the above, perhaps the thing which blows my mind the most is the existence of Robot Wars Revealed – a 1998 BBC Choice behind-the-scenes spin-off series. It being the early days of digital television, hardly anyone saw it – and seemingly only one episode is in general circulation. It’s incredible how easily things can slip away; even programmes made in the last 20 years. What programmes are you watching now that in 2037 you’ll think “Oh, I wish I could see that again”, and be unable to?
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“Our biggest struggle after filming the pilot was cutting it down to time. We were something like six minutes long, which is a lot. We cut and cut and cut some more. We cut things we liked and we cut things we loved. Still, after 6 or 7 passes at the show we were still a minute long. We felt we had cut it to the bare bones. Any more cuts could damage the show so we went to Paramount with our dilemma. Thankfully, they agreed with us and asked NBC to give us some extra time. After viewing what we hoped would be our final cut, NBC agreed to give us that extra minute which was a very big favor. So, how do they come up with that extra minute of programming time for us? Don’t think that all they have to do is cut a commercial or two. Are you crazy? That’s money. No, to give us that extra minute, they asked the three other comedies and one drama on that Thursday night to each cut 15 seconds out of their programs. It’s not something that’s done very often and it’s not something the network likes to do, but for that pilot of Frasier they felt it was worth it.”
— How Frasier Came To Be (Part 3), Peter Casey, December 2006
Six minutes, cut out of one of the best sitcom pilots ever made? Oh, man, wouldn’t it be amazing to see what was cut? But I guess we’ll never find out, unless there happens to be a script of the pilot hanging around online anywhere…
…oh, hello. Marked “REVISED FINAL DRAFT”, and dated April 29th 1993. Let’s dig right in.
Material which is only in the script is indicated like this; material which is only in the episode as broadcast is indicated like this. I won’t detail every single difference in phrasing between the script and the final show, minor trims to dialogue, or every change in staging, but all major differences will be noted.1
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So, here we are. After looking at the pilot, Series 1, and Series 2 through 5, we reach the conclusion of our series of articles comparing Hi-de-Hi! as released on DVD, and the version repeated on BBC Two last year. Unfortunately, we run into a little bit of a problem.
Throughout the whole rest of the show – the entire Dempster run, in fact – the two versions are absolutely identical. Sure, one episode wasn’t shown, as detailed below, but every single other episode had precisely no edits made to it whatsoever. Which even for Dirty Feed, leaves us with a bit of a damp squib of an ending.
In an attempt to save this piece from being an entire waste of time then, I have a few other notes on the remaining episodes of the series…
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What an excellent time for BBC One to broadcast an episode of ‘Allo ‘Allo. True, it was done in tribute to Gorden Kaye who died on Monday, but it feels like this was a good week to laugh at some Nazis.
However, you know me by now. Ignore the laughter, or moral truths, we all know why we’re really here. “Oh, I wonder whether there have been any edits made to the show…” And blow my chickens up, there has been. To clarify then, here’s the two versions of the episode Pigeon Post I’m comparing:
- The episode broadcast on BBC One on Wednesday 25th January at 7:30pm, with a duration of 28’56”.
- The version Playback released on DVD in Region 2 way back in August 2002, with a duration of 31’39”.
In other words, the version broadcast by BBC One on Wednesday is 2’43” shorter than the version on DVD.
Without either an off-air of the very original broadcast or paperwork to hand1, we’re left with a bit of guesswork – but I think we can work out what happened with reasonable certainty. The longer version on DVD is probably the original broadcast (aside from the episode title caption), and the episode broadcast on Wednesday is a cut-down version for repeat transmission to fit a standard slot – which I suspect is the version the BBC have been showing for years.2
Let’s see what’s missing, shall we? Cuts to the repeat broadcast are indicated like this.
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YVONNE: Something will have to be done about Ted’s act. He’s getting positively revolting.
BARRY: Tonight he did the one about the two sailors and the gruyère cheese, followed that with the midget and the giraffe… and finished up with the one about the curate and the cucumber. Then in the same breath he introduced us, and we had to go straight on and do our Spring in Park Lane fantasy waltz. Well, Yvonne was in tears. I was so embarrassed I didn’t know where to put my face, let alone my feet.
YVONNE: He was distraught, Mr. Fairbrother. And let’s face it, Barry’s the last person in the world you could call po-faced.
JEFFREY: Yes, I do know what you mean. He was very near the knuckle tonight.
GLADYS: He’s been getting worse.
JEFFREY: To be fair on Ted, I think the audience eggs him on. He gets carried away.
YVONNE: A good comedian does not have to resort to filth and lewd innuendo.
BARRY: With Ted, it isn’t even innuendo. He says it.
– Hi-de-Hi!, “It’s a Blue World”
Good morning, campers. On we go, with our comparison of the 2000s DVD release of Hi-de-Hi! and its repeat this year on BBC Two afternoons. Previously, we took a look at the pilot. Then we investigated Series 1. This time, we manage to examine the whole of Series 2, 3, 4 and 5 – taking us right to the end of the Jeffrey Fairbrother years.
And in the middle of all this, we discover a moment where Hi-de-Hi! doesn’t even indulge in innuendo. It goes right out and says it.
As ever, the exact two versions we are comparing are:
One thing which is immediately apparent is that as the series progresses, there are fewer and fewer different edits of the programme – indeed, many episodes are identical. Only the episodes with differences are listed here. All timings given are from the DVD version.
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JEFFREY: Hello campers. Hi-de-hi.
JEFFREY Yes folks. This is a big one. One of the high spot… lights of the week. Holiday Princess competition. Now now Dads put down your binoculars. Hi-de-hi.
TED: Get him off, somebody.
JEFFREY: And here to act as your Master of Ceremonies is your friend… and indeed he’s my friend as well… Ted Bovis.
– Hi-de-Hi!, “The Beauty Queen Affair”
With an introduction like that, this article can’t fail to disappoint. I’m afraid the Holiday Princess competition is nowhere to be seen. Instead, let’s get back into our series of articles looking at the differences between the DVD release of Hi-de-Hi!, and the recent BBC Two Afternoon Classics run of the show. Last time: the pilot. This time: Series 1, in all its “one of the best series of a sitcom ever made” glory.
To recap, then. The two versions of the programme we are comparing are:
Off we go. Cut sections are detailed like this, though take note of exactly which edit they are cut from – this time round, both the DVD and the broadcast versions have different sections removed. All times given are from the DVD.
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The first episode of Hi-de-Hi! is one of my favourite sitcom pilots of all time.1 And for at least the next four series, Hi-de-Hi! is one of my favourite sitcoms of all time. This is for so many reasons, all of which is worth an article in itself, but put simply: my favourite thing about the show is that it’s the perfect mix of everything. Every single kind of comedy I love is embedded into its soul. A show that doesn’t sneer at broad comedy, yet includes moments of amazing subtlety. It knows the magic is in the blend of the two.
Recently, BBC Two have started another repeat run of the show in their Afternoon Classics slot. I’ve long meant to do a full comparison of these broadcast versions of the show compared to my DVD copy – which fully admits on the back that “for contractual reasons certain edits have been made”. I was mainly expecting just the odd music change – but actually, the changes have ended up being rather more interesting than I ever imagined, and for the the pilot at least, actually ask rather more questions of the broadcast repeat than of the DVD.
Let’s take a look, shall we? Just to clarify, the two versions we are comparing are:
Neither of these versions, you will note, is what was actually transmitted originally on the 1st January 1980. So, which version is closest to that original edit? We can perhaps make an educated guess about that later.
All times given are for the DVD version of the episode, so even if you didn’t record the repeat broadcast version, you can skip to see exactly where the changes are. Cut dialogue in the repeat broadcast version is like this.
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“Now on BBC One, expect the unexpected – for the first time, Mrs Brown’s Boys goes completely live. Be prepared for strong language and adult humour. Agnes and her family are waiting in the wings – so it’s time to hand over to the director in BBC Scotland…”
— BBC One network continuity announcement into Mrs Brown’s Boys Live, 23rd July 2016
“Alan Carr hosts the comedy Live at the Apollo, now at 11:15. Before that on BBC One, strong language and adult humour, as we catch Agnes live – and on the hop…”
— BBC One network continuity announcement into Mrs Brown’s Boys “Live”, 30th July 2016
Last year, one of my most popular pieces here on Dirty Feed was this analysis of the 2005 live version of Quatermass – specifically, the differences between the original live show, and the edited version now widely available on DVD. Near the end of the piece, I wrote the following:
“Maybe we should be careful not to overstate the originality of the 2005 Quatermass. Sure, the BBC billed it as its first live drama for over 20 years. But looking to other broadcasters, Coronation Street did its first live programme in 2000, five years previously – and looking across to America, ER‘s live episode was in 1997. But still, as the beginning of the BBC’s renewed interest in live drama and comedy – through to EastEnders, Two Pints, Bollywood Carmen Live, and next year’s Mrs. Brown’s Boys live episode – it’s extremely important.”
One the 23rd July, that live Mrs Brown’s Boys episode was transmitted – and a week later on the 30th, we had a repeat. If ever there was a piece which I just had to write, this was it. Did much change between the two broadcasts? And if it did, will the show incur the hell and fury which Quatermass unleashed from these very fingertips?
Let’s take a look. All times given are from the repeat version of the episode, so you can watch along and see where the changes were, even if you haven’t got a copy of the original episode itself. Incidentally, the version now available on iPlayer is the edited repeat version.
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When it comes to rumours and Who Framed Roger Rabbit, you all know the drill. Eddie Valiant and Jessica chase Judge Doom out of Toontown, they crash spectacularly, sail through the air, Jessica’s dress hitches up, and you may or may not be able to see her hairy minge. The whole thing has been investigated in great detail, although frankly not quite enough detail for my taste.
Still, that’s not what this piece is about. No, my query is about another rumour associated with the film – and specifically, about this scene in Toontown with Eddie:
We’ll let the previously linked to Snopes article give us the basics (emphasis mine):
“In another scene, Bob Hoskins steps into a Toon Town men’s room. Graffiti on the wall reads “For a good time, call Allyson Wonderland”, with the phrase “The Best Is Yet to Be” appearing underneath it. Allegedly, Disney chairman Michael Eisner’s phone number replaces the latter phrase for one frame. Although the “Allyson Wonderland” graffiti is clearly visible on laserdisc, Eisner’s phone number is not. If the phone number was in the film originally (as rumor has it was), it was removed before the home versions of the movie were made available.”
The removal of this phone number seems to apply to every single home version of the film I – or seemingly anyone – has ever come across. LaserDisc, VHS, DVD, Blu-ray, the lot. If Eisner’s phone number was ever there in the film’s theatrical release, it’s gone from the retail versions. If is was ever there, of course. Because without evidence, this really starts to take on the feeling of an urban legend. Notably, Snopes has no actual evidence to offer, and the article goes out its way to label the phone number story as a rumour.
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19th September 1975, 9pm, BBC2, and the first programme of a little series called Fawlty Towers is broadcast. And whilst most of that first series of Fawlty Towers was shot in the summer of 1975, the very first episode – A Touch of Class – was recorded eight months earlier, in December 1974. The reason for this is simple: that first programme was a pilot. Unlike some programmes, which are re-recorded entirely for their first episode1, most of that pilot made it to air more or less in its original form. For instance, the opening sign is a different design in the pilot episode compared to every single other programme in the first series, and the theme music is also a different recording. Indeed, you wonder why, when it came to broadcast, they didn’t at least change the opening titles to be consistent with the other episodes, but I digress.
Opening titles from A Touch of Class
Opening titles from The Builders
One detail, however, was changed between the initial pilot recording, and its broadcast. Polly was originally meant to be a philosophy student – and that’s what she was in that pilot episode. For the series, they decided to change her to being an art student – and so they reshot parts of the pilot to incorporate the change. To quote John Cleese, in an interview on the 2001 DVD release:
CLEESE: She in the pilot episode was a philosophy student, and we didn’t feel that worked as well as art student, so we re-recorded just a little – maybe four or five minutes – and cut that into the first episode before it was transmitted to the general public.
The obvious question to ask, then – at least, if you’re me – is: which parts of the transmitted episode were reshot? And was it really four or five minutes of material? But whilst you could easily guess about one section which was reshot, for years that was all the information we really had about the change.
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